Geraldine Newman

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

Dr Finlay's Casebook is a BBC television series that was broadcast from 1962 until 1971. Based on A. J. Cronin's novella Country Doctor, the storylines centred on a general medical practice in the fictional Scottish town of Tannochbrae during the late 1920s.

Public Eye is a British television drama broadcast from 1965 to 1975 on ITV1. Produced by ABC Television for three series, and Thames Television for a further four, the programme follows the investigations and cases handled by the unglamourous enquiry agent Frank Marker.

Detective Superintendent Tony Clark is an ambitious member of the Complaints Investigation Bureau, an internal organisation that investigates claims of corruption inside the police in England and Wales. Along the way Clark overcomes strong influence from his superiors and problems in his private life, most notably the break-up of his marriage following an affair with WPC Jenny Dean.

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband.

Out of the Unknown is a British television science fiction anthology drama series, produced by the BBC and broadcast on BBC2 in four series between 1965 and 1971. Each episode was a dramatisation of a science fiction short story; some were created for the series, but most were adaptations of already published stories. The first three years were exclusively science fiction, but that genre was abandoned in the final year in favour of horror and fantasy. A number of episodes were wiped during the early 1970s, as was standard procedure at the time.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Female private detectives Pearl Parker and Finn Gallagher operate within the bustling multicultural communities of South London.

Mapp & Lucia is a British television comedy, based on E. F. Benson's novels, beginning with the eponymous 1931 entry for series 1, with Lucia's Progress and Trouble for Lucia for series 2. Mrs Emmeline Lucas (nicknamed Lucia) has just moved to the small English town of Tilling where she comes into conflict with the social ambitions of Miss Elizabeth Mapp. Until now, Miss Mapp has led (and controlled) the social life of Tilling, but that was before they met Lucia.

When a young bride moves into a country manor, long repressed childhood memories of witnessing a murder come to the surface.

Robert Neilson has ambitions to play Hamlet but will do most acting work. His fiancée, Sue, and agent, Desmond, gently encourage his aspirations.

Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works". He's is quite happy with his lot until Paul Ryman moves in next door.

A British sitcom created by and starring Rodney Bewes, Bewes co-wrote and produced the series with Derrick Goodwin. The show proved popular and regularly made the TV ratings top ten throughout its three year run. There were 26 episodes, including the three Christmas specials, all three broadcast as part of All Star Comedy Carnival. The fourth and final series was broadcast as a sequel entitled Albert!, which ran for a further series of seven episodes. Series 1 was produced by Thames Television, while the subsequent series 2-4 were produced by Yorkshire Television.

In order to get parental permission to holiday together, a young couple announce their non-existent engagement.

Bluebell is a British television drama series produced by the BBC in 1986. The series was set before and during the Second World War and was based around a dance troupe performing in Europe. The leading cast members were Carolyn Pickles, Philip Sayer, Carmel McSharry and Annie Lambert. The drama series was based on Margaret Kelly Leibovici and her dance troupe named the Bluebell Girls. Margaret Kelly is often referred to as Miss Bluebell. Carolyn Pickles played Miss Bluebell.

Fred Midway may be a bit short on brains, but he's got plenty of ambition. However, before he can gain promotion as a salesman, he must make his family more socially acceptable.

A young local girl is murdered by a mentally disturbed youth, but the villagers blame a stranger, an Italian traveling showman and his bear, rather than see the rot in their own camp.

A pair of scientists investigate a mysterious death.

"The voice will make its effect. And it will, undoubtedly, be very touching. But, tell me: after his voice has broken, can you make anything of him then?" After the solo, after the chorus, after the applause?