Dalida

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

A talk show presented by Michel Drucker

Host Jacques Martin invites different talented children from various backgrounds to showcase their beautiful voices. The participants entertain and wow the audience with their lovely performances.

A French variety show.

The show was meant to compete with those on West German television. To this end it was fairly successful even attracting a following in parts of West Germany which could receive Eastern TV. Its production values were high. Apart from song and dance numbers and appearances from East German celebrities, almost every broadcast featured well-known stars from the west, often after their popularity had peaked in their home countries.

Der Musikladen was a West German music television programme that ran from December 13, 1972 to November 29, 1984. The show continued the 1960s Beat-Club under a new name, and in turn was replaced by Extratour.

To escape the police, a father and his son are forced to find refuge in a summer camp for young adults with mental disabilities, taking on the role of an educator and a boarder. The beginning of troubles and a wonderful human experience that will change them forever.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.

Dalida was an international star, selling over 140 million records in 10 languages. But behind her glittering career and dramatic and tragic personal life, was her ever supportive younger brother Orlando. The documentary sheds light on the professional and personal relationship between the music icon and her producer, between sister and brother.

An automobile tribute

An American millionaire has just died. His sole legatee is a youthful indiscretion, a girl who is currently living in Italy. Two private eye detective agencies, in competition with each other, investigate. Combining business with pleasure, they search sunny Italy, but they only have one clue to find their heiress: she has three moles on the buttock. One of the private eyes falls in love with a gypsy who sings in nightclubs.

Jean the piano player introduces Georgia, a new, promising singer, to a handsome young-man in a Paris' night-club. From contact to contract, Georgia is soon traveling to Hong Kong with Mitzi, another cabaret artist, the pianist and the man with whom she is flirting. In their first night out, the girls watch a man being attacked and abducted by a pair of local thugs. Next thing, they are reading about the man's death in the papers, and are being hunted by the criminals. Georgia and Mitzi will then learn that their companions are not exactly a typical piano player and businessman. Suspition leads the girls to fight each other, but they'll unite for survival in a seedy environment.

During an air trip, Prince Tancredi, a well-known abstract artist, gets to know air hostess Judy and is charmed by the young woman. When he asks her to pose for him Judy accepts. Following a few negative remarks on her part about his work Tancredi is driven to question himself artistically. Now, Judy has to leave but she promises to see Tancredi again, which they do. Their mutual attraction soon turns into a burning passion.

Hoda is a famous dancer who gives up the spotlight to marry and start a family with Mamdouh, a handsome young doctor who is just beginning his career. When Mamdouh's scheming Italian head nurse Yolanda sets her sights on Mamdouh, Hoda's jealousy drives her to drink, ultimately endangering everything she holds dear.

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).

A journalist and a police commissioner join forces to smash a white slavery network operating in the Middle East. The cabaret run by Clovis where Dalida sings is quickly spotted, as is a marriage agency run by Madame Irma, offering semblance of guarantees. Clues without proof. The journalist's fiancée agrees to play the game set up by the superintendent. The network is dismantled.

In Italy in the 60's it is difficult to get a divorce. Carlo gets a visit from his Swedish wife, but he is already remarried. Every time he meets a new woman, he vanishes away from the last wife.

From her life in Cairo to being a discor star, from success to suicide, Dalida reigned over the hit parades throughout the world. Although the artist's career began at the same time as popular music emerged as an industry and was acclaimed everywhere as "la marchande de bonheur" (the merchant of happiness). She encountered unhappiness ; she experienced many deaths and rebirths. Her forced march towards fame resembles a frantic search ending in despair.

Samira and Huda are sincere best friends. Samira falls in love with Farid, who deceives her and impregnates her, he extorts and threatens to blackmail her after finding out that she is going to marry a rich young man, who is her friend, Huda, brother.

Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.

French pop diva Dalida candidly discusses a number of the songs that made her a phenomenal success across Europe, the Middle East and Japan in this celluloid chronicle of the beguiling singer. Dalida -- who earned 45 gold records -- talks about "J'attendrai," "Besame Mucho," "Paroles Paroles" and other hits. The video also includes previously unreleased pictures shot in exotic locales and footage spanning the singer's 30-year career.