Teresa Côrte-Real

An airplane disappears mysteriously; on board was Verónica, the twin sister of Vitória, the victim of a fraud by a millionaire. Presumed dead, Verónica assumes the identity of her sister and plans to avenge herself on the entrepreneur's family.

Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

Stories that make us reflect on how we live and on what is the value we give to life. It reinforces the importance of living in the present rather than in the past, an error in which Artur and Carolina fall as soon as they wake up on the same day after years of absence.

When their adopted son Nico is diagnosed with leukemia and needs a bone marrow transplant, Alice and Tomás are driven into a desperate search for a compatible donor, while concealing the truth about his adoption. With no match within the family, they are forced to locate Nico’s biological father, leading them to Cris, an unsuspecting mechanic whose life is upended by the revelation. As Cris forms a bond with Nico and becomes his only hope for survival, tensions escalate between the biological and adoptive parents. Old secrets resurface, and an unexpected love emerges between Alice and Cris, putting custody, loyalty, and the very definition of family to the test.

Three generations of a family living together in an idyllic villa juggle the demands of their wedding planning business and their own personal crises.

Vítor Guerreiro, the authoritarian and eccentric Chef of the uber-chic Lisbon restaurant “Divina Comédia” hires Manuel, a bumbling interviewee from Braga, in order to irritate the manager Kika.

A train compartment, four people, a ticket collector, a Barcelos penknife and a potential assassin. Will they all make it to the end of the journey?

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.

Erros Meus, Má Fortuna, Amor Ardente brings us a story from a small, rural village in the interior of Portugal where, by reason of a funeral, people from all parts of the region are arriving. Maria is a young woman from that village, unsatisfied with her marriage with João, who has never given her a child: her biggest desire. By cause of the funeral, Carlos arrives, and his arrival and Maria's emancipated behavior generate distrust from the other villagers. Maria, a serious, beautiful and virtuous woman, loved by every man in the village and hated by all the women, awakes in João the weakness of jealousy, and in Carlos the weakness of an old love.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal