Ali Cherri
Director
Ali Cherri (b. Beirut, Lebanon) is a filmmaker and visual artist based in Paris. He received a Bachelor of Graphic Design at the American University of Beirut and a Master of Performing Arts from DasArts – Academy of Theatre and Dance, Amsterdam. Cherri is the recipient of Harvard University’s Robert E. Fulton Fellowship (2016). His work has featured in prominent exhibitions including If you prick us do we not bleed? at The National Gallery, London, The Milk of Dreams The 59th International Art Exhibition of La Biennale Venice, Minds Rising, Spirits Tuning, 13th Gwangju Biennale, South Korea (2020); The Gatekeepers at the Musée des Beaux-Arts de Marseille – Manifesta 13, France (2020); Comme un parfum d’aventure at the Musée d’art Contemporain de Lyon, France (2020); Phantom Limb at Jameel Arts Centre, Dubai, UAE (2019); But a Storm is Blowing from Paradise at the Solomon R. Guggenheim Museum, New York, and at Galleria d’Arte Moderna, Milan (2018); Statues Also Die at Museo Egizio, Milan (2018); and Somniculus at Jeu de Paume, Paris and CAPC Musée d’Art Contemporain, Bordeaux (2017). His films have been shown in International Film Festivals including New Directors/New Films MoMA NY; Cinéma du Réel, Centre Pompidou; CPH:DOX (winner of NewVision Award); Dubai International Film Festival (winner Best Director); VideoBrasil (Southern Panorama Award); Berlinale; Toronto International Film Festival & San Francisco International Film Festival amongst other.
Movies1
Movie5.8DocumentaryIn 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”