Gorō Tarumi

A thief, a murderer, and a charming lady-killer, Iwao Enokizu is on the run from the police.

The second film in Toho's series on the military history of the Showa era, Hiromichi Horikawa's war drama offers a look at the career of controversial politician Hideki Tojo and the strained relationships between Japan's government, military, and the media.

An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.

Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.

An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.

Television production of I Want to Be a Shellfish. On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder. According to the accusation by GHQ, Toyomatsu "attemped to kill a US prisoner", which was nothing but an order by his superior and failed after all with hurting the prisoner by weak Toyomatsu. Also, Toyomatsu was driven to corner at the trial by the fact that he fed the US prisoner some burdock roots to nourish him. Toyomatsu believes nothing but being not guilty, but he is sentenced to death by hanging. Prior to the execution, Toyomatsu writes a long farewell letter to his family, the wife and the only son: "If I ever incarnate, I hate to be a human being any more.... Oh yes, I would like to be...a shellfish living on the rock-bottom of the sea."

Detective Nishina Sosuke, the director of the Metropolitan Police Department's Investigation Division 1, is suddenly attacked by a trio of men at his apartment at midnight. When he regains consciousness, the corpse of a foreigner shot with his pistol lies in front of him. Nishina, with the help of his friend and newspaper reporter Mineshima, who believes in his innocence and vows to cooperate, pursues the incident and reveals a conspiracy related with 5,000 kilograms of gold that disappeared at the end of the WW2.

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.

As the monk Ryuun, whose past and origin make him prone to internal and external fits, leaves the temple towards Tokyo, he gets to catch a glimpse of enlightenment resonating with the blind Kanoko.

Tadao decides to comes back from Tokyo to live in his home town, in the countryside. He stays at his parents place and finds a job, repairing transistor and television. He catches up with his friend Tetsuji, the only that haven’t left yet. But one night, Tetsuji decides to leave for Tokyo with a bar hostess.

In this fifth episode of the "Wataridori" series, Taki Shinji (Kobayashi Akira) drifts north to Hokkaido, where he helps protect an Ainu village from unscrupulous land developers.

Based on the manga of the same name. Originally published in the Japanese magazine Weekly Playboy. It follows Ippei Yasuda, son of a prominent family, who is immensely gifted in nearly everything he does.

A man is wrongfully accused of murder.

One morning, Kazue is nearly knocked over by a motorbike in front of an instrument store, breaking all the records that she was carrying. The two connect instantly and begin seeing each other every day. However, Iwai, Yukio’s foster parent, is concerned - Yukio had been exposed to the atomic bomb when he was four years old and had been showing symptoms of atomic radiation, hospitalizing him in the Genbaku Atomic Bomb Survivor’s Hospital. Unfortunately, nobody knows when the symptoms may return. When Yukio passes out from anemia during work, he decides to part with Kazue. A couple of days later, Yukio tells her of his destiny at the Hiroshima Peace Memorial Park, but Kazue passionately encourages him.

After their father dies, his children try to get by on a house boat.

A coming-of-age drama based on a novel by Kei Moriyama.

Stray Dog is a 1966 film directed by Yoshio Inoue. It is the seventh film in the Inu series.

Based on the novel by proletarian writer Sunao Tokunaga. The story is about a long strike by workers at a large printing house and the strikers' steadfastness, which neither hunger nor violence could break. The heroine of this story actively participates in her colleagues' struggle against layoffs, oppression, and police brutality.

1962 Japanese movie