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Eizo Tanaka

Director · 1886 – 1968 · Chūō, Tokyo, Japan

Tanaka initially trained as a stage actor in the shingeki movement under Kaoru Osanai, but eventually joined the Nikkatsu film studio in 1917. He debuted as a director in 1918 but mostly had to work with shinpa stories, not the shingeki techniques he was used to although two early films, The Living Corpse (Ikeru shikabane) and The Cherry Orchard (Sakura no sono) were based on Tolstoy and Chekhov respectively.[3] Working in parallel with the Pure Film Movement, Tanaka made two films, Kyōya eirimise (1922) and Dokuro no mai (1923), based on his own screenplays, that were highly praised for their cinematic technique.[1] He remained a rather conservative filmmaker and still used oyama (male actors) in female roles, including in his masterpiece Kyōya eirimise, a melodrama about a merchant's destructive love for a geisha. He used actresses for the first time in Dokuro no mai, a story of a monk reminiscing about his youth and early loves.

Movies8

  • Movie7.6

    Stray Dog

    野良犬

    1949 · 380 votes

  • Movie6.8

    Tower of Lilies

    ひめゆりの塔

    1953 · 9 votes

  • Movie6.4

    The Blue Mountains: Part I

    青い山脈

    1949 · 8 votes

  • Movie6.7

    Till We Meet Again

    また逢う日まで

    1950 · 10 votes

  • Movie

    A Trumpet Boy

    トランペット少年

    1955

  • Movie6.7

    The Wild Geese

    雁

    1953 · 12 votes

  • Movie6.5

    Town of Violence

    暴力の街

    1950 · 2 votes

  • Movie9.0

    A Woman's Life

    女の一生

    1949 · 1 votes