Zoltan Paul

László Kovács, auteur filmmaker, is denied funding for his film project: too old, white and heart problems to boot! Conclusion: no longer employable. Wasn’t the Hungarian from Lake Balaton aiming high? What now? Continue to be on his successful wife’s back? László slips into a real life crisis and initially finds solace in the fascinating attraction of a “crazy woman” from the neighbouring village. But when a right-wing populist stands as the only candidate for mayor in the village of 120 souls, László comes to his senses. In order to “prevent the right-wing idiot”, he puts himself forward as a liberal counter-candidate. The only question that remains is whether László’s marriage and he himself will survive the village election campaign?

A lonely therapist and her suicidal half-sister are on their way to Norway in a red fire-engine. Accompanied by a Spaniard who wants to go to Finland. Haunted by a bunch of stranded personalities. And two flies who suddenly start dreaming.

In the throes of an existential crisis, an aging director decides to travel to Japan to film the tour of his son's rock-band, PEROPERO. His partner Emma acts as producer as they follow the band's performances in a string of live clubs across Japan. When the director falls hard for the young Japanese tour manager, both the film shoot and his life threaten to fall apart.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

This two-part drama examines the fate of the generation of Austrians which came of age after World War II. The first part, "Arcadia," depicts the generational gap between 1950s teenagers and their parents, while the second part, "Injuries," shows this same group of characters twenty years later as they have grown up to become dysfunctional and suicidal adults. Regarded as the most significant of Michael Haneke’s early works, "Lemmings" contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.