Inara Slucka

TUR [ There ] - drama about relationships in virtual an physical world - blending boundaries of both worlds.

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

At fifty years of age, film director Ivars Jansons has been unlucky in both his personal life and his creative work. Something inside him has broken under the constant pressure of compromise. Having left the big city and returned to his homeland, Ivars tries to rebuild his broken relationships with his wife, his son who grew up without him, and his friends who are trying to revive their creative imagination with the help of memories. The illusion of returning to the dreams and ideals of his youth and his selfish focus on himself prevent him from deeply and truly feeling the experiences of his loved ones and averting the impending tragedy.

The epic film is based on the motifs of Vilis Lācis' novel "The Zītari Family". The tragedy of the Zītari family is a model of Latvian national history. With the beginning of World War I, the patriarchal way of life of Captain Andrejs and his wife Alvīne, their children Kārlis, Ings, Ernests, Elza and Janka changes, with years spent at work and in rare, modest celebrations. Kārlis voluntarily goes to the front, Ingus disappears without a trace on long sea voyages. Not wanting to live in the territory occupied by the German army, the Zītari evacuate to the distant Altai region. The unusually difficult living conditions and the drastically changing political situation of the post-revolutionary period also affect each member of the Zītari family. When the opportunity arises to return to Latvia, Andrejs and Alvīne are no longer among the living. The old sailor's nest has collapsed and the young Zītari are no longer able to preserve their father's house - all the property is stolen.

The film tells of faithful devotion to spiritual ideals. It is based on Riga St. Anna Stocken's Life Story of the Cistercian Monastery of Mary Magdalene.

A businessman and a footballer are murdered before an important football match in Prague. Investigation has to be started.

A young man lives a lonely existence together with a mother whose only interest is watching programmes about animals. He finds the surrounding emptiness so traumatising that he decides to change his life.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

During the Second World War, senior lieutenant Astra Lejiņa, a member of the Soviet Army’s propaganda unit, receives permission to serve in the same military unit as her fiancé. Travelling a long distance by vehicle and on foot, she makes her way to the front, becoming an eyewitness to a series of dramatic and harrowing events that reveal the human cost of war.

A classic mystery story based on the famous novel by Agatha Christie.

An artist and his lover get trapped in their summer house by a gang of convicts.

The film is dedicated to Dmitry Ilyich Ulyanov, the younger brother of V.I. Lenin, a professional revolutionary, doctor and creator of the first Soviet sanatoriums and rest homes in the Crimea.

When a journalist from Riga arrives in a rural forest district to investigate a letter from former forester Čukurs warning about the destruction of local woodlands, forest ranger Liepsargs offers him a place to stay. As they look into the situation, Liepsargs finds himself battling both illegal logging and poaching, determined to protect the forest from those exploiting it.

Once, in search of creative freedom, jazz musician Yitzhak Gutman went to Germany, where he became a famous impresario. When changes took place in the USSR, the hero decided to help talented musicians-losers who remained in Russia. Returning to his homeland, Yitzhak found composer Amir Dzhunusov performing his jazz improvisations for the flute on the roofs of houses. Together with his Russian friends, the hero, in the interests of advertising, starts a risky game, which leads to a tragic development of events. In the role of Amir Dzhunusov is a professional trumpeter, composer, jazz musician Andrey Solovyov.

The movie shows a young man's life dramatically changed after his friend is murdered. It is ironic - if to look with today's eyes - and nostalgia evoking portrait of marginal society and environment in the early 1990s with allusions to the western cinema - film noir related themes, surrealistic features, avantgard cinema stylization and formal aesthetics.

A crime drama about Victoria - a young detective who finds that her first love is actually a criminal.

Eccentric post-apocalyptic take on gangster cinema.

Oscar is an author of a popular online blog on divorces. Now, his own marriage is on the brik of a divorce.

In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.

The viewer will be transported to the distant thirteenth century. At that time, the Swedes lived on the Estonian islands and, thanks to the royal charter, were not serfs. However, after the Twenty Years' War ended, the question of the living Swedes rose again, or rather their freedom. People were afraid to fall into serfdom. But by the will of fate, the letters written by the king fell into the hands of a Swede named Klemet. From that moment on, he had a goal - to get to the Russian Tsar, whom he would beg to confirm their privileges. Klemet and his friends set out on a dangerous, incredibly difficult and completely unpredictable journey...