Ģirts Krūmiņš

Everyone has their own emotional overwhelm regarding a bad smell. Lizete, an amateur interviewer, is eager to record the moments when it is revealed. Dealing with the topic of bad odour's influences on society, this is an animated short film for adults in the inquiring style of a documentary. The director continues to work on tragi-comic stories about our natural awkwardness while finding ourselves.

The 14th of June 1941, Soviet-occupied Latvia. Without warning, the authorities break into the house of Melanie and her husband Alexander, and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Alexander, full of hope for a free Latvia and a better tomorrow.

A comedy about sex, love, relationships, and taboo. In a multi-story narrative, we peer behind the closed doors of a seemingly normal city.

The film is about a middle-aged couple experiencing a midlife crisis. The husband and wife are tired of life together and start to forget the love they once shared in their youth.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

A young woman, Regina, has been killed in her apartment. Investigator Anderson holds Regina’s husband as a suspect for a murder because he is unable to remember his location at the time of the fateful event. Gradually, Anderson is convinced that Oto has not only killed his wife, but he also tries to hide his true identity – notorious criminal Schmit.

In the near future of 2012, the government asks for each citizen to have 30 Lats on their credit card. Anybody not having this amount of money is deemed to be maliciously poor and arrested.

Ainars has been a principal of a local music school for forty years until he is unexpectedly fired. Ainars feels betrayed. Seeing him unhappy, his wife Anita decides to act. When the new principal candidate arrives at the music school, the world created by the two of them collapses. The new suppresses the old and it just seems that everything that has been done before is left in vain.

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

Four directors capture simple, yet quintessential experiences of a single individual in different periods of his life - childhood, adolescence, adulthood and old age.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

Small incident makes a man realize that the world doesn't care about him. He then sets out on a way to personal revolution.

Riga in the 30s. Wild bohemian lifestyle is the name of the game for every artist worth his salt. A young man from the countryside, poor but ambitious, arrives in the capital, where he hopes to make his mark in the artistic circles. What follows is a string of events, fraught with confusion and misunderstanding, hilarious and heart-warming at the same time.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Struggling against the totalitarian regime of occupied Soviet Latvia, a talented young doctor is stripped of her career, her joy for life, and even her maternal instincts.

A Latvian series shot by the team at Jaunais Rīgas Teātris / New Riga Theatre over the course of summer 2020 during the Covid-19 pandemic. It's a story about a world that once again changes rapidly. About the belief that everything on this planet is subject to manipulation. The series centers around an advertising agency - a classic office where professionalism mixes with boredom, romance and an existential tiredness.

A story of a Latvian middle-class couple - Laura and Aivars, who have been forced to look at their lives from a new point of view due to the restrictions of the pandemic, and Laura decides to divorce. Aivars is not happy about this, and in order to make the process less painful, a relationship counselor is hired, who makes Laura and Aivars perform various tasks aimed at making the divorce peaceful and respectful. The couple's children watch the sudden epic with mixed feelings - the eldest daughter Eva, who openly demonstrates her indifference and independence, and the youngest son Haralds, who is fond of video recording, which he also does during parental arguments. Their neighbors, the Liepini family - Talis and Jogita - are also drawn into the whirlwind of events. The divorce becomes an unpredictable and somewhat tragicomic series of events for almost everyone involved.

Elsa is getting married. Both she and her mother are sure it will be a perfect wedding, but on the morning of the grand event Elza finds out that her wedding videographer is none other than her first love Henry. But what about the perfectly planned wedding and a future with Jānis, Elsa's fiancé?

On May 4th 1994, the 4th anniversary of Latvia’s splintering from the Soviet Union, rookie police investigator Aldis Karklins is tasked with solving the murder of Natalia Nolle, an influental behind-the-scenes political figure. The trail leads the 23-year-old Aldis in to the underbelly of organized crime and KGB conspiracies that outlive the Soviot Union. A miniseries in seven episodes, based on the novel "Don't Call Me, Don't Look for me! Life of Soviet Secret Agent" (Meklējiet sievieti) by acclaimed Latvian crime fiction writer Andris Kolbergs.