Rebecca Jones

The adventures of Vicenta Acero, the feared coyote who now leads the dynasty of illicit dealings once under the control of her father.

Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.

A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.

A wealthy matriarch tries to maintain her family's facade of perfection after her husband's mistress exposes their dirty secrets.

Pasión Prohibida is a Spanish-language telenovela produced by United States-based television network Telemundo Television Studios, Miami. It is a remake of the Turkish telenovela Aşk-ı Memnu by Ece Yörenç and Melek Gençoğlu. It has been adapted from Halit Ziya Uşaklıgil's novel Aşk-ı Memnu, published in 1900, but takes place in the modern-day Miami, instead of the novel's late 19th century setting. Jencarlos Canela and Mónica Spear starred as the protagonists.

The story of Renata Flores del Angel, a young woman from a wealthy family who falls for Pablo Ramos, the foreman of her father's estate.

The story revolves around Flor (Ana Serradilla), a happy and beautiful woman who knows Valentín (Joaquín Ferreira) a "man's disaster", but even so she likes him as he is, everything was cheerful, fun and lived happy, but due to Valentín's problems, he dies. And in the midst of the loneliness and pain of having lost her husband. Teodoro (Sergio Mur), Ana's friend and who was always in love with her, decides to start conquering her. Everything was fine, "normal, calm and a little boring" as a marriage should be. Until in one night Ana asks for a wish "that her husband returns", until suddenly her wish comes true. And now Ana does not know how to live with the ghost of her late husband and her current husband.

Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.

A family man experiences the tremendous burden of leading a double life as a professional hitman.

Cuna de lobos is a Mexican soap opera produced by Televisa and broadcast by Canal de las Estrellas in 1986 to 1987. The serial, about the struggle for power within a wealthy Mexican dynasty, was enormously popular in its native Mexico. It was also a hit in several foreign countries, including the United States, Germany and Australia. The soap opera starring antagonistically María Rubio as the main villain interpreting the evil "Catalina Creel", with Gonzalo Vega, Diana Bracho, Alejandro Camacho and Rebecca Jones.

La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

Three couples, three destinies, three stories: a man imagines his life a disaster due to the abandonment of his wife; a successful model who is unfaithful to her own agency and the reunion of a man and a woman who are unfaithful to their respective partners.

The story of love struggles of 9 different couples, connected only by the complexity of human relationships.

La cama is a story that gives a voice to reveal the secrets held by beds. If your bed could speak, what stories would it tell? We spend more than a third of our life in bed; it is the uttermost intimate space. In them lay our secrets; perhaps that is why we never think about them. They are a direct witness of who we are, or who we wish to be. Who would give their bed a voice? Surely nobody in his or her right mind. What secrets are held by motel beds, that of a teenager, a newly divorcée, that of your neighbors?

A young architect finds himself in a situation that he never had to deal with before--now that he is successful (and married), sexy young women are throwing themselves at him!

A novice private detective is on the trail of a serial strangler in Mexico City.

The strange relation between two brothers.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

After Carlos is tasked to care for Paola, both characters must work out their differences to make their time together more pleasant. As time goes on, they are faced with lessons about trust, mutual respect, and perhaps love.

A man goes to Mexico to attend his father's funeral, 30 years after his father supposedly died.

A filmmaker spends his final days with his wife at his family's secluded hacienda.

Tale of a young couple who throw caution to the wind and set out in search of their true fate. Román is the son of a contemptible, right-leaning congressman. Recently enrolled in a new high school, the rebellious teen clumsily attempts to hang himself on-stage at the big talent show. Maru is the sole member of the audience to applaud, earning both students a day of detention. After bonding during the course of their punishment, Román and Maru grab daddy's gun, steal a Volkswagen, and hit the road bound for nowhere.