Nataša Gollová

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

The troubles of a young married couple with an overprotective mother and mother-in-law. Usually it ends with a wedding, but this time it begins. Young doctor Petr Dvořák marries the charming Marta Hábová. However, their honeymoon to Venice is unexpectedly complicated by Martina's widowed mother, a rich, kind, but very absent-minded lady. First, they are not allowed to cross the border because they did not declare the things she secretly packed for them for the trip, and then they spend the night behind bars because the mother-in-law, in her absent-mindedness, reports the secretly packed things as stolen after she catches a pair of robbers in her house. It is no wonder that the young marriage is soon shaken to its foundations...

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

Michal, a disillusioned teenager, clashes with his authoritarian father and runs away from home. Adrift in the city, he navigates a restless journey of fleeting encounters while rejecting the rigid values of his parents' generation.

A lost lady's glove that connects several human destinies. The focus here is not on the lost part of the wardrobe, but on piano virtuoso Arne Brant, a man armed with a charming smile and surrounded by women, two of whom have particularly influenced his life. The first is the daughter of a famous can-can star, dancer Pavlína Doré-Zejdová, the second is Mařenka Berková, the main character of the film and a kind of Kristián in skirts. An orderly and well-bred daughter from an honorable family who lives her second life as a lady of high society. The lost glove complicates the situation for all of them considerably, but in the end she finds her rightful place, just like the heroes of the film...

Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

Ríša, a student of law, neglects his studies in favour of parties and pranks. His angry father refuses to continue helping him out of his debts. Ríša, however, is not entirely beyond hope. He decides to go and stay for a while with his uncle, a priest, who lives in Moravia, in order to prepare for his exams. He meets Helenka, the timid daughter of the local gamekeeper, at a village ball and is enchanted by her. The days pass and their idyllic relationship begins to tire Ríša. He begins to tell Helenka about his former debauched life the about the broken hearts of beautiful women. Helenka is hurt and refuses to see Ríša anymore. His uncle, the priest, is incensed at his behaviour and orders his nephew out of the house. Ríša tries desperately to find Helenka so he can make it up to her.

The fates of the women are repeated: the 16-year-old daughter of a 32-year-old mother is also pregnant. Like her mother, the child remains unmarried and fatherless. From him, the girl receives only an exotic postcard with the titular three camels...

Instead of ruling, the king devotes himself to fishing and long conversations with the gardener, the princess, instead of pretending, like any proper princess, spends whole days in the kitchen, and the care of the kingdom thus falls to the queen. The queen decides to start the correction by marrying the princess; however, the groom must be noble and, above all, rich. The princess's cooking costs something, and the small wars that sometimes take place because of the queen's quarrelsomeness are also not completely free. The only problem is that the princess does not want to get married, and the king does not want to give his daughter to just anyone, but wants to entrust her to someone who will be kind and will truly love her.

a movie by Heinz Paul

Car transport of the locomotive is difficult, as the cargo is bulky. The three-man crew of the tractor therefore experiences many difficulties on the long journey across Bohemia...

Sanitka was a Czech television, drama series, first broadcast in 1984 and eleven episodes were made. It starred Jaromír Hanzlík, Tomáš Juricka and Zlata Adamovská among others.

Sňatky z rozumu was a Czechoslovak television programme which was first broadcast in 1968. The programme was directed by František Filip.