Baldur Trausti Hreinsson

A postal worker falls in love with the Chinese waitress at a Chinese restaurant. They start dating and quickly fall in and out of love, the waitress returning to China. The young man looks for comfort in his father but he's too preoccupied with winning the Eurovision song contest. After listening to loser friends talk about what Sylvester Stallone would do in his situation, the postal worker decides to buy a ticket to China and follow his love to her home.

Vera is a young woman who has no memories of her mother. Her desperate search for a mother image merges with her own search of self as she inevitably makes an attempt to define the boundary between herself and a mother she never knew.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Five stories interwine into one. A blind man hovers above the city. Everything looks set for a perfectly normal evening in Reykjavík, until the the power goes off?

Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.

'Nordic Blue' crime drama HILDUR, based on the best-selling novels by Satu Rämö. A surfing female detective fights against time to confront a serial killer in the fjords of Iceland while unraveling the mystery of her long-lost sisters.