Loleh Bellon

At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.

The guardian is engaged to a girl from a good family, but the intervention of a gypsy will make his heart lean. This one comes in fact to take revenge and will try to kill him.

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

A 20th-century prostitute (Dominique Sanda) arranges for her lover (Michele Placido) to wed a wealthy, dying millionairess (Isabelle Huppert) in Venice.

Mathilde Stangerson just married her fiance, when she heard that Larsan, her cruel former husband, whom she believed to be dead, is actually very much alive. Taking refuge to her castle, she appealed to the journalist Rouletabille to protect her.

People in Paris struggle with loneliness and urban isolation. In the center is Raphaële, a successful architect navigating her fragile relationship with her lover Vincent, a journalist grappling with alcoholism.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

A brilliant analysis of 19th century French Symbolist painter Gustave Moreau, known for his fantastical and mythological subjects, and who remains to these days an influential figure in the birth of modern art.

Captain Joris Kniper believes so strongly that he is "skipper next to God" that he is used to playing God on his ship. Tough and bossy, he gives orders which are not to be discussed. But, some day, he is driven to accept on board several German Jews fleeing the nazis and who are refused asylum everywhere. He gradually realizes that skipper he is, but next to God only.The Bible will help him to find the way to self-questioning, awareness and charity.

Following the assassination of a financier, several people who had an interest in seeing him disappear are suspected.

Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.