Anel Sudakevich

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Goga is a Russian man who has no luck with women. He has a chance meeting with Mary Pickford, and after she kisses him on the cheek, he becomes as irresistible as her.

As an adviser to the emperor Nicholas II, mystic Grigori Rasputin holds great influence over the empire. However, many in St Petersburg begin to regard Rasputin, with his strange practices and mesmerizing qualities, as a liability and plot his assassination. When Rasputin, known to many as the 'Mad Monk', leads Nicholas to embrace an ill-conceived military strategy, a group of determined conspirators set down a plan to eliminate him.

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

The film is set in France during World War I. Bachelet's father and son are members of the French army . After the death of Bachelet Jr., he is called a national hero, actively using the fact of his death in the election campaign to fight communism. At the time of the opening of the monument in his honor, the hero himself appears, having returned to his homeland. It turns out that Bashlet Jr. was actually only shell-shocked, not killed. He uses the current situation to call on the audience to stop the imperialist war. This is followed by his arrest and charges of imposture.

Based on Pushkin's "Little Tragedies" ("The Miserly Knight", "Mozart and Salieri", "The Stone Guest", "A Feast in the Time of Plague").

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.

A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution.

About life and customs in the boyar environment during the reign of Peter I.

Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.

One Kuleshov film that might be of great interest to scholars is The Breakthrough (Proryv, 1930). It was made in 48 hours. Naturally, such an unusual work did not stay in cinemas for a long time.

St. Petersburg, 1914. Pre-revolutionary bourgeois society, decadent intelligentsia - the signs of this troubled time. The focus is on the Bulavina sisters Dasha and Kata, their personal lives, loves, hobbies, and heartfelt dramas.