Cláudio Cunha

After producing a successful underground snuff movie, were the lead actress is raped and killed, the Brazilian Miguel returns to São Paulo pretending to be the American director Michael Tracey and convinces his partner Bob Channing to cast and hire a crew to produce another movie. With attractive salaries, they hire the broken cinema technician Edson Lima and his assistant Juarez. Together, they cast the stripper and hooker Lia de Souza; the decadent and former famous actress Taty Ibanez; the aspirant actress Glória Verdi; the candidate of Miss Contest, the Miss São Paulo Maria Rosa; and an actor interned in a mental institution, Sérgio Bandeira. The group believes that they are going to secretly shoot porn, and moves to the small town of Limeira. When Bob falls in love for Lia, he tries to convince Michael to forget the snuff and avoid her death. But Michael is reluctant and does not want to give up his project. Written by Claudio Carvalho, Rio de Janeiro, Brazil

A documentary on Boca do Lixo, a dowtown São Paulo square that became a tentpole for film distribution on the early 20th century, becoming, from the 1960s on, a production district for popular eroctic films and for avant-garde directors.

A stripper is arrested for killing her gigolo who exploited her as a prostitute under the name of Karina. Her despair turns to ardent passion when she meets a lady lawyer who promises her that she will be able to get her out of jail very quickly. But both ladies will have to fight an outlaw who will do whatever he can to possess Karina.

In 1982, almost five million people took theaters to see Erotic Things, the first Brazilian porn film. The production is today considered a major episode in the history of Brazilian cinema because it was launched during the country's military dictatorship. Thirty years later, The First Time of Brazilian Cinema found the producers and actors to tell the inside story of this fascinating journey.

Tenement women from the Bexiga neighborhood become prostitutes, induced by a mulatto woman and a crook.

Zilda has had to put up with too much crap and she ain't taking it anymore.

A group of young actors will do anything to get a part in a play.

Colonel Epaminondas is a retrograde and authoritarian man, who commands and dismantles the region. He declares war on Pedro Galvão, his main rival, when he donates part of his land – purchased from the colonel – for the construction of a church and a school. The arrival of professor Juliana, right at the beginning of the plot, changes the lives of the residents of the small village. Juliana takes over the school and ends up arousing the interest of Fernando, Epaminondas' son. Oblivious to the fights that drive the story are Pituca (Patrí and Serelepe (Aires Pinto). The friendship between the two children, however, does not please the colonel, who is always fighting with his daughter. 'Meu Pedacinho de Chão' was co-produced and shown simultaneously by Globo and TV Cultura in São Paulo.

The cunning Senator Petrônio Paranhos gives an interview to the beautiful journalist Magali Santanna, who is interested only in his affair with Arlete—an ambitious young woman intent on conceiving the older man's child via in vitro fertilization. To land this scoop, Magali agreed to interview the politician in a motel room, a condition he had insisted upon. However, Paranhos suffers a sudden collapse and dies during the interview. Detective Aristênio Catanduva, who had been keeping the senator under surveillance, investigates the case. Known by the codename "Araponga," he is a bumbling figure working for the Federal Police following his long service to the military regime.