Olga Tarasenko

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

The history of the confrontation between two worlds: the Grand Duchy of Moscow and the Ural Parma, the ancient Perm lands inhabited by pagans. Here heroes and ghosts, princes and shamans, Voguls and Muscovites will clash. At the center of the conflict of civilizations is the fate of the Russian prince Mikhail, who fell in love with the young Tiche, a witch-lamia capable of taking on the form of a lynx. Passion for the pagan and fidelity to forbidden love, a campaign against the Voguls, bloody battles and a short peace, the battle between Muscovy and Parma, the hero will face trials in which it is not so terrible to part with life as to commit treason.

A story about a love between two teenagers set in the small Russian town during sixties.

Egor is 30, his job is to sing along with guests at karaoke, but he dreams of singing his own songs and building a happy life with Yulya, contrary to the wishes of his millionaire father. And when Egor finds a portal to 1991 in his own closet, he comes up with a brilliant plan that will provide him with an ideal future. But every attempt to change something in the past leads to more and more unexpected results in the future.

Beginning with perestroika and reaching its peak after the demise of the Soviet Union, pessimistic youth sub-culture films abounded in Russia and the former republics. Anguely V Rayou is another example of these "youth without future" films. Based on the novel Two Notebooks by Piotr Kojevnikov, the action takes place in the Leningrad of 1975, when the "stagnation" era is at its peak. Two teenagers, Micha and Galia, are experiencing a slow death in the slums of the city. Galia's aunt is going crazy in her desperation. Micha's mother is killed by a drunk. One of their friends has committed suicide. These kids are typical of a generation wasted by alcohol and misfortune. Some are bound to become outcasts, some will be destroyed, and others will be sacrificed in Afghanistan. The title is ironic, as there is neither paradise nor angels in this story.

Russia, the early 20th century. Smart underground revolutionaries invented an apparatus detecting sexual impulses. That would let them use the erotic energy for the cause of the revolution, instead of wasting it in carnal pleasures, as the unconscionable bourgeoisie does. The revolutionaries start working on building a sex bomb, a weapon of formidable destructive power.

The film consists of five short stories that reflect five stages (1947 — 1950 — 1957 — 1967 — 1982) the action programs of the heroine of the film, from the age of fifteen, rushed to a typical goal for that time — to smile from the front page of a central newspaper. Her fate is not simple: unhappy love, life with the unloved, a labor colony, love again, then love in return, earthquakes, fires, devastation. The heroine is getting closer to the goal and nothing can stop her..

A retro-journalistic drama based on one of the versions of Kirov’s murder, proposed by former NKVD general Orlov, who managed to escape death during the “purge” in the “Kirov” case.