Guilherme Leme

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

Leo's envy of his brother Pedro will cause much pain and suffering, beginning with the death of Luciana, Pedro's fiancée.

After making a Faustian bargain with a vampire for fame, a regretful young singer must find a sacred, lost artifact that might revert the curse.

Diogo is an upright judge, professionally recognized, married to the submissive Antônia, with whom he maintains a relationship of appearances, only to preserve the family institution. Diogo falls madly in love with Bettina, and the two have an affair. Deciding to fully embrace their passion, Diogo and Bettina plan a trip together, but he ends up not having the courage to abandon Antônia and leaves his lover waiting at the airport. Upon realizing she is alone, Bettina despairs and suffers a serious car accident. Her brain death is diagnosed, and her heart is transplanted into Paloma. Upon learning of Bettina's death and the transplant of her heart, Diogo, feeling guilty, becomes obsessed with the idea of ​​getting close to Paloma, believing that in doing so he would be close to the heart of the woman he loved. Paloma is a young woman who abandoned her fiancé Tavinho at the altar to marry Juca, her first boyfriend.

In an action-packed plot set in São Paulo, Ana gives birth to a child in Tonico's car, but abandons the baby to escape the police after becoming involved in a robbery.

In the imaginary king of Avilan, the bastard prince Jean Pierre leads a popular group against councilors who will invade Rainha Valentine's palace and take away the power.

A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.

Accused of murdering a millionaire, a man manages to escape. Finding help along the way, he starts a struggle to prove his innocence.

Arriving in Lisbon from London, Basílio falls in love with his cousin Luísa, but he must go to Brazil, promising he will eventually marry her. As time goes by, he sends her a letter ending the relationship and she marries Jorge, an engineer. One of Jorge's rich aunts dies, leaving him a small fortune and her former maid Juliana. Juliana gets hold of love letters between Luísa and Basílio and starts to blackmail her employer.

São Paulo today. Brazil is in full economic upswing. This is a story of friendship and delusion between three young friends in a big city. Their life is marked by an ordinary routine where nothing much happens except the alienation impregnated by the consumer society and the lack of perspectives. An urgent film representing the historical moment of a generation.

The sexual fantasies of women are explored by four female directors.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, a drag queen; Teddy, a hustler; Guto, a gay reporter; and Marta, an actress.

After being fired from his job and have his unemployment insurance money robbed, a young man decides to become a robber himself. While escaping authorities, he meets a female teacher of whom he takes hostage. Things get complicated when they fall in love with each other.

A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla lover. As a result, the two were killed. One day, he casually meets a woman who looks very much like his former love, and this fact changes his life. Could she be the daughter of his great love? Or her reincarnation?