Yannick Debain

The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.

Vincent, Marie and their son have just moved from Paris into a farm near a small town in the south of France. He is a history and geography teacher, who looks forward to a quieter life, some kind of return to nature. His wife, a renowned international pianist, who retired in spite of her young age, has decided to follow him but almost unwillingly. From the very beginning, Thibault, one of Vincent's students, invades his family and slowly the couple, whose desires seem now so far away, falls apart. But Thibault's intentions are not at all motivated by love. And he will do anything to achieve his goal...

Taped live at the Princess Grace Theater in Monte Carlo, a dope rendition of the play about a bourgeois obsessed with infidelity who grooms his future wife from an early age so that she ignores the things of life and therefore temptations.

Barnabé is dreaming, Antoine's complaining, Patrick's laughing ; 35 years ago he was doing the same thing in a short film by Godard.

A girl is in danger… surrounded by boys who love her… past…present…future.

Rich, bisexual Thomas makes his way through a swath of lovers of both sexes in Paris. His parents have died, and he doesn't have to work to earn a living, so his days are bacchanalia-filled affairs that run into each other in a hazy bliss. The only one capable of eking out genuine affection from him is his neighbor, Caroline. When she dies and leaves her son in his care, Thomas learns the joys of commitment and selflessness.