Karl Stegger

Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.

Three young men discover a scam that three somewhat older gentlemen from Aarhus' upper class have set up to avoid bankruptcy. The gentlemen directors have both accounts and safe deposit boxes at the bank branch where one of the young men works, so it seems only natural to give the swindlers a taste of their own medicine, so to speak. The situation is further complicated when a journalist gets wind of the double heist and wants his share of the pie.

This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

A quiet film about the friendship between four people: an old skipper who has gone ashore but has not really adapted to his new life. A boy who has run away from his cold and identity-less concrete environment. And a young woman and a young man who have fled from their respective Eastern European countries.

Some criminal EU ministers plan to turn Denmark into a gigantic fair ground and holiday paradise. Egon gets his hand at some important documents which could both make him rich and take care of Denmark's future.

When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

The Olsen Gang has finally made it. They are in Mallorca, having fulfilled their dream. Almost, that is. They don't have any money, so Egon has to open a safe at a restaurant to get some. As usual, however, Egon ends up in prision. When they return to Denmark, he has a new plan.

A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.

Kjeld Petersen plays a merchant who has stolen his clothes when he is out take a dip in the Sound. He stopped by the police, and they find a call to military service in his pocket, after further complications lands him at the barracks, where he came under the loving care of 66 (Dirch compatible) and 65 (Ove Sprogø). So the stage is set for lots of fun and games, in the right old style.

A soldier seeks justice against a group of men who murdered a prostitute.

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.

After his usual stay behind bars, Egon has another cunning plan involving millions. They rob over 4 million from a money transport. The gang keeps a low profile and hide the money. But it's stolen by "Kongen" and "Knægten", who immediately start living it up - in the penthouse suite at the Sheraton. The suitcase with the money changes hands several times, before Kongen's daughter takes of with all the money.

Police constable Møller'og psychiatrist Dr. Mogensen will have something to watch as the Pusle to everyone's surprise finds out that she can do magic. On her birthday she gets sent an ancient, magical figure from her uncle in South America. On the same day Pusle's parents has to travel to London, and the large family is now left to strict aunt Alma.

Bank director L.W. Jacobsen resides in a small provincial town. He is not particularly interested in his wife, Elsebeth, but rather in teacher and city council member Miss Mortensen. Thorsen, the town's manufacturer, is a member of the same city council group as Jacobsen. Then Don Olsen comes to town. Olsen is not interested in the upper class, but rather in people. By chance, Thorsen and Olsen meet and soon become drinking buddies. Thorsen drags the milkman's horse home to his apartment in the middle of the night. The scandal is a reality. Thorsen wants to flee, but with Olsen's help, he instead woos the townspeople and Miss Mortensen under the motto "Make good times better."

The third film about the two good-natured brothers Søren and Peter and their family on the small island of Bomø. This time, the brothers have acquired a soccer-loving dog named Bølle, who turns out to be able to predict the results of betting pools. This causes chaos in the betting service, on Bomø, and at Christiansborg.

Newly married to a sexually perverted German millionaire, Siv submits herself to endless degradation before discovering that her husband harbors a diabolical secret.

The head of a big engineering firm is a workaholic who neglects his pretty young wife - leading to her joining an "escort" service as a means of sexual relief. All is well, until the escort service is hired to entertain the engineering firm's clients at a swingers' party.

A comedy about girls joining the army in Denmark. Marianne joins to keep up a long family tradition as her brother won't. Both her brother and her boyfriend find her decision difficult to accept.

It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.

The entire population of Bomø has gathered for the big day. Finally, after 56 years, the bridge connecting Bomø to the mainland has been completed. With the parish council chairman at the helm and the minister cutting the ribbon to make it official, everything should be in perfect order. However, the county governor is absent, as he has a financial dispute with the ferrymen, brothers Søren and Peter Severinsen.

The poet and Lillemor have become parents, but poetry and washing the diapers are two subjects which are hard to unite under the same roof. The two just married couples, the barber Anton and Vera plus the baker and Lise, are having some difficulties with their marriages but that doesn't scare off the butcher, who's got the hots for the midwife.

The children Julian, Dick and Anne spends a summer holiday at the Kirrin Farm, where there cousin Georgina lives with her dog Tim, and her parents. The tomboyish Georgina is punished for her poor school performance, and her father hires a private teacher.

Anders returns to Denmark to visit his ill mom too late. Her lawyer tells him he's the illegitimate child of an estate owner. He goes there incognito and works on the big farm and falls for the maid and later for a gold digger.

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.