Vladimír Durdík

Two female clerks using up their savings to enjoy a few days of carefree life, two plumbers looking for an erotic adventure, a building contractor determined to drink away all wages of his workers and a former major who became an alcoholic due to political persecution — these people meet in a ski resort bar somewhere in the High Tatras. During one night they gradually reveal their unfulfilled dreams, illusions and disappointments of ”average" people of those times.

An unusual children's film set during World War II in Czechoslovakia, this compelling drama unfolds five different segments that present the war through the eyes of three youngsters. The three have a series of adventures which include saving a soldier from being captured by the Germans, helping out the resistance fighters, and meeting up with a young Russian woman trained in guerrilla warfare. As they learn more about life and danger, various circumstances constantly recall the reality of war itself. The title comes from a wounded pigeon under the care of one of the youngsters.

The film adaptation of the novel of the same name by Peter Jilemnický is a drama about the life of poor Kysuce miners, which takes place in the thirties during the economic crisis. During the peak wave of emigration, the dream of a better life drives thousands of people to America for work. Others, in order to support their families, leave for the surrounding towns. Produced by the Bratislava Art Film Studio, studios and laboratories Bratislava - Koliba.

A two-part television film based on the novel of the same name by Rudolf Jašík, depicting a realistic picture of life and interpersonal relationships during World War II in the mixed Slovak-German environment of the town of Pravna and the nearby village of Planice, as well as life and relationships between soldiers on the Eastern Front. From this perspective, the plot follows a unit of Slovak soldiers, their realisation that they are fighting for foreign interests, their dissatisfaction and distrust of everything, especially their officers.

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

Existentialist drama based on the play of the same name by the Slovak writer Ivan Bukovčan. The story of ten apparently randomly selected people placed in a beer hall of a small town during the Nazi occupation of Slovakia. Slowly, facts begin to emerge, characters are drawn, and the story begins to gather a dangerous pace.

A movie built up of three stories about life in a small Slovak town. The Prosecutor: the district attorney is a jazz orchestra soloist at the same time and that is much disliked by the local provincial society. The Defender: is about a young doctor's relation to his patient, who is open about his reactionary opinions. The Judge: it is only after long years that the old judge realizes that his own marriage is in jeopardy.

This drama from the times of Slovak National Uprising is situated in a small Slovak village. It is the tragical story of a widow and her four sons who fight alongside the partisans against the German occupants.

A young doctor and a group of injured are hiding in an underground shelter and are liberated by Soviet soldiers.

An epic saga of the Habdza family of vineyard keepers set in western Slovakian countryside at the beginning of the 20th century. Director Andrej Lettrich's novel adaptation talks of plotting, forbidden love. family discord, and struggle for heritage and power. The story is engaging thanks to the impressive performances of popular actors, dramatic situations, and sensitive music. Red Wine is not so much inventive in terms of auteurship as it is a work of excellent craftsmanship. The resulting picture is a costume production neatly adapted to the character of Slovak rural life in the past.