Cosme dos Santos

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

Set in the 19th century, the novel tells the story of an impossible romance. Inácio, a young man from a traditional family, falls in love with Esther, the owner of the most famous brothel in the Court.

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

Paleontologist Júlia wants to convince the stubborn farmer Abner to let her excavate on his land. The site is said to be an archaeological site containing the remains of prehistoric animals.

Through the stories of Madá, Jão and Osmar, the work talks about achievements and the price we are willing to pay for them.

In the struggle for land a vicious feud erupts between two men, who commit their families to a war without truce. Over two generations they are moved by love and by hatred in this epic saga of love for the land.

Twenty years after seeing his family decimated by gunmen, Ben Silver returns to Albuquerque to take revenge on the person responsible for the massacre, but falls in love with his rival's daughter.

"Crossed Paths" tells a history about seven friends who met in their youth at an English course meet again 25 years later; Lara, Taís, Helena, Adriana, Renée, Natália and Carol, each of them has a different personality and origin, but they share a deep affection.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Eloá and Osmar's marriage is thrown into crisis when a mysterious man crosses their path. With a thirst for prestige and power, Eloá will face the consequences of her ambition.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

The plot revolves around the romantic conflict involving four young people who have known each other since childhood. Antônio Mourão, an orphan raised by Father Ovídio, has two dreams in life: to graduate in Medicine – he has just passed the entrance exam – and to marry Rebeca, one of the daughters of his godfather, the Protestant pastor Bilac. Antônio and Rebeca end up separated thanks to the interference of Lívia, the youngest daughter of Pastor Bilac. Sensual and deceitful, she dreams of abandoning her life in São Tomás de Trás, working as a lacemaker and attending her father's church services, to live in the big city. She sees in Antônio a chance to fulfill her desire and, even knowing about the romance between the young man and her sister, she orchestrates a situation to seduce him and manages to get pregnant by him. The two are then forced to marry and move to the capital.

Diana, the Angel of Death, assigns an Emissary to retrieve Isabela from Earth. Upon meeting her, however, he becomes enchanted by the young woman and hesitates to take her.

Brasil República, 1918. Luís Jerônimo is a rich young man. Womanizer, spends all night on the street drinking and having fun with prostitutes, the boy finds out that he has an injury to his right lung. Advised by Edmundo Esteves, his doctor, he decides to spend a season at a cousin's farm in the small town of Vila da Mata in Espírito Santo, in search of fresh air, to prevent the disease from developing into tuberculosis.

Zeca and Maria Rita experience a forbidden love in the fictional city of Paraíso, where faith and tradition clash amidst land disputes and popular beliefs.

In the 1930s, in Passaperto, the powerful Cândida controls the family until the arrival of Laura, considered a miracle, who awakens passions and rivalries that will change everyone's destinies.

Dias Gomes and Marcílio Moraes' version of the soap opera of the same name by Janete Clair shown in 1970, Irmãos Coragem features as central characters João, Jerônimo and Duda, three brothers who threaten the dominance of the powerful farmer Pedro Barros, the highest authority in the fictional Coroado, in the interior of Minas Gerais, where the story is set.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

The Robin Hood from the movie The Trapalhões and his pack ruin the plans of a farmer named João Climério. He wanted to take the lands of his deceased brother and leave his niece Catherine with nothing. During a showdown, Robin Hood is injured and needs to be replaced at the helm of the group. And then the funny confusions begin! As a substitute is chosen Zé Grilo, a modest and at the same time confused pawn, who in the end manages to unmask Climero and save the beautiful Catherine for which he has a passion. In this mission it is aided by the companion Willie and also by a magic wand and a protective pen, provided by an Indian sorcerer.

Following the clues of a map, a boy and some adventurers go into the forest in search of treasure from the pioneers, and end up going back two centuries in time, in search of the legendary Minas dos Martírios.

Sérgio Mallandro is chosen by an alien to be the one to receive special powers to do good. But before that he must prove his worth and kind heart by rescuing a girl's pet. Along the way, he is frequently hampered by an envious villain.

In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.

A successful writer in a creative crisis lives with her characters and others who do not know what dimension they live in.

The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.

Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

Young robber, son of a prostitute who had killed herself, gets involved with two police informers, who force him to share the loot he gets.

The legend of Tristan and Isolde is one of the most beautiful love epics ever conceived. Richard Wagner, in a famous opera, had already tarnished its purity. The modern transposition of the legend is set in Brazil, in a village of poor fishermen on Guanabara Bay, framed by mountains not far from Rio de Janeiro. Two young cousins, Marcos and Jeronimo, get together to fish successfully - the arrastao is a large fishing net - and to resist the ugly local landowner, who sets the rules and the prices. This owner has a niece: Emaïsa, who loves Marcos and is loved by him.

Galanga, king of Congo brought to Brazil as a slave, finds gold in Vila Rica, in the State of Minas Gerais, and buys his enfranchisement, the properties of his former owner, and his companions' freedom, becoming Chico Rei, the first black man to own lands in Brazil.

The Viscount of Sabugosa is locked in the library writing an encyclopedia about the characters in children's fables. Dona Benta receives a letter from little Thumb, written on a rose petal, in which he, realizing that the inhabitants of the world of fables are forgotten in the books on the shelves, requests that everyone live in Sítio do Picapau Amarelo. Emília and the children love the idea, and Dona Benta says yes. They move