Noemi Besedes

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Confirmed bachelor Paul falls for Iris, who’s unfortunately as good as married. Although his friends have women problems of their own, and all end up moving into Paul’s apartment, they concoct a daring plan to help Paul save Iris from marrying the wrong man.

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

Fatma becomes entangled with Berlin’s bike-theft mafia. Her meteoric rise to becoming the gang’s chief lock-picker brings initial success but quickly devolves into a perilous trap controlled by the gang’s ruthless leader. Fatma’s only escape lies in a mysterious portal she discovers in an abandoned countryside house, which sends her back in time to the pivotal moment before her first theft. Caught in an unrelenting time loop, Fatma refines her strategies, inspired by the Art of War, to dismantle the gang and reclaim her freedom.

Based on the best-selling psychology book by Paul Watzlawick, the film tells the story of Tiffany Blechschmid, a neurotic, moony, superstitious, contradictory and, no surprises here, single young woman in her late-twenties.

Berlin, Prenzlauer Berg. Attila the fireman can eat glass – but this doesn’t help his love life. His girlfriend, Sabine, breaks up with him. She wants more from life. It’s her dream to be a talk show host – and there’s no place for Attila in her career plan. Despite being a talk show host, Erika is unhappy. She can no longer connect with her husband Ulf, who is reliving his youth and making use of his psychological prowess to conquer female hearts. Their pubescent son Niko avoids both parents as he makes his own way through life, propelled by his sex drive. When the next guest on Erika’s show – a TV junkie and shy bakerwoman called Rosine – cancels at short notice, Erika has to find a new candidate. She discovers Attila in the house next door.

Duck and Bear are looking for a little bottle containing a mysterious green liquid across constantly shifting realities. The film is a narrative experiment in which twelve animators were passing the film between each other to add sequences of their own.

A man named Jaswinder (Ritesh Deshmukh) goes to the United States of America promising his parents that he will return soon and his sister marriage will be set. In America in a night club he meets an American girl named Sally (Brande Roderick) and marries her for his visa. He obviously forgets to remember the promise he made that he would go back to India. Meanwhile in India his parents have found him a new bride, typical Punjabi kudi, Richa (Hrishitaa Bhatt). His sister calls him to America by telling him that his father had a heart-attack, but that is the way they could bring him back to India.

The future. A hi-tech-lab. Scientist P is testing quantum-android Q and takes of on a mission with it into an undiscovered nature. On the trip she discovers a ghostly remote effect between her and the robot. Will she keep control, when nature starts changing?

CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A detective leaves the force to take over the family business as an undertaker at the same time as he is being investigated for murder. His close encounters with corpses and his earlier police training lead him to see things some of his ex-colleagues miss and he investigates the crimes he encounters in an unofficial capacity often to the dismay of the official police.