Valdemar Santos

At the dawn of the modern era, Portuguese explorer Ferdinand Magellan leads an expedition under the Spanish crown in search of the first westward route to the Spice Islands. He embarks on a perilous journey across the uncharted Pacific, where his fleet faces starvation, mutiny, and the psychological toll of endless seas. Upon reaching the shores of Cebu, Magellan is pulled into a fatal conflict with the natives by his drive to spread Catholicism, culminating in his tragic doom.

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

A homeless man sleeps in front of an empty store when suddenly a vehicle stops and two men start to carry cases inside. Meanwhile the man tries to understand what is going on.

Five low-life people find themselves trapped in a public toilet.

In the mid-1940s, in a Portugal mired in poverty and illiteracy, a group of boys work in the potteries of Alhandra, on the coast, collecting clay to make tiles and bricks. Gineto, Sagui, Malesso, Guedelhas and Gaitinhas form strong friendships and bonds of camaraderie, while dreaming of other places and embarking on liberating adventures, facing the harshness of work, the daily dramas of family life, hunger, abuse and injustice with courage, rebellion and determination. In the end, their unity always prevails in a world of adults who do not understand them.

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

Accused of adultery, Ana Augusta Plácido and Camilo Castelo Branco were imprisoned for more than a year in the Porto Prison, she in June 1860, he in October of the same year, after an adventurous escape from justice through the lands of the North.

Based on the tale of the Prodigal Son, 'Prodigal' is a film about the relationship about father and son, and a simple gesture of love. Shot on 16mm in a single location.

Life through a glass, life through a lens, life through a camera. Fade to black. General view of the access to a factory with a big wheel.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Luana plays between trains and swings while she waits for her father on the other side of the line.

Miranda do Corvo, 1933. Tomé, a young worker haunted by guilt over his betrayal, is chosen by his colleagues for an important mission in the union's struggle against the Estado Novo. Faced with this moral challenge, he confronts not only the real dangers of police repression, but also his own demons.

During a harsh winter, a river by the house of two cousins freezes over. In the cold wind, their relationship grows bitter, reaching its limits.

Constantino works as a keeper of flocks during the day and as a keeper of a museum during the night. He works continuously since he has nowhere to live. Aurora passes by him every morning and end of the day. One day she is brave enough to talk to him.

A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.

In a small fishing village, two boys are forced to take part in drug trafficking. When the eldest plans to escape, the younger one is forced to deal with the adversities of being left behind.

A man from a village in the interior of portugal is back to visit the family that is left. But the true reasons for his return are not clear.

The story of a vigilante friar, zealous caretaker of goodness and order who, after suffering unrequited love for an engaged woman, becomes a terrifying villain in a quiet town.

One sleepless night, Emília recalls a childhood trauma. Amidst the burning memories, she visits her parents, her sister, Manuel and all the places of her solitude.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.