Tōru Shinagawa

The beautiful Shizuko and her husband Toyama Takayoshi have a loving relationship, But Takayoshi is getting older and isn't always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.

After losing their child, a mother finds solace in a life-sized ancient doll she finds on the market. When a new daughter enters the family's life, strange things begin to happen and no matter how hard the family tries to get rid of it, the doll always finds its way back.

The Elric brothers’ long and winding journey comes to a close in this epic finale, where they must face off against an unworldly, nationwide threat.

A woman in the midst of an unpleasant divorce moves to an eerie apartment building with her young daughter. The ceiling of their apartment has a dark and active leak.

A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

Ryuzo and his 7 former henchmen are all retired yakuza, but they now live as regular old men. One day, Ryuzo becomes the victim of a phishing fraud. He calls his 7 men together to reform their society.

Fujiko and Lupin are kidnapped by Malkovich, a notorious criminal escaped from Alcatraz who forces Lupin to steal the "Bull's Eye," a precious stone.

When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife's behavior, but he begins to feel uneasy with her.

Spring, 1941: 16-year-old Toshihiko attends school in the coastal town of Karatsu, where his aunt cares for his ailing cousin. Immersed in the seaside's nature and culture, Toshihiko soon befriends the town's other extraordinary adolescents as they all contend with the war's gravitational pull.

After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.

When lightning strikes a theater about to close its doors, three moviegoers are thrust back in time to the world inside the screen.

A former murderer and genius chef along with a waitress come together with a group of fantastical assassins in a diner. A girl with a hollowness in her heart, who believes that she belongs nowhere, is thrust into a series of attacks where she must struggle to find her will to live.

A re-imagination of Japanese Emperor Hirohito’s final days in power as WWII draws to a close.

Famous movie actress Nami is being interviewed by a magazine reporter about her new film in which the plot resembles her real life. Her actor husband Yosuke has an affair with a young actress Junko whereas in the movie, Nami acts as an actress whose husband has an extramarital relationship with a young girl, with Yosuke as the husband and Junko as the new girl friend. In the course of the interview, Nami falls into deep thoughts and flashbacks about her lascivious encounters with strangers in a night train, in the movie as in the reality. Despite whether her intention is to revenge her husband or to satisfy her own desires, Nami demonstrates bewitching charm in a series of intercourse with different men, positions and locations. Director Takashi Ishii attempts to explore female sexual psychology through perfect blends of aesthetic nudity and violence.

A girl is kidnapped and the perpetrator roams freely. When a similar case occurs along the same road and in similar circumstances a suspect is identified leading to the accused running away and going into hiding.

In the aftermath of the 2011 Tōhoku earthquake and tsunami, a journalist arrives in Nagaoka, a city decimated during a WWII air raid and by the 2004 Chūetsu earthquakes, to report on the disaster; there, she learns about the experiences of its inhabitants and stumbles upon a stage play written by an enigmatic student of her ex-boyfriend.

Depressed and in debt, Santoshi tells his young daughter that he is going to find an infamous serial killer and collect a reward. However, when Santoshi disappears without a trace, she starts to fear the worst and begins searching for him.

A Christmas Eve power outage provides a collection of troubled Tokyo denizens the opportunity to come clean on the misdeeds of their past.

Two different high school children - a swimmer and an academic - set off on a quest together one summer.

At a companywide meeting, Bunsaku Akiba sees Toshie, an old girlfriend who is now the secretary and lover of Nishijima, the chairman who has control over the entire group. Although Akiba is married, the love affair between him and Toshie flares up again. Akiba uses Toshie to approach the chairman, but as Toshie gets more possessive of him, Akiba starts to have murderous thoughts.

One day in February, 2005, Metropolitan Police Department Superintendent Muroi (Toshiro Yanagiba) is arrested to take responsibility for a botched murder case he headed. His faithful colleagues, including Arashiro (Toshio Kakei) and Okita (Miki Maya), only exacerbate the situation when they try to help clear his name. Is Muroi guilty as charged or merely taking the fall? What is the truth behind the murder? Two lawyers, one determined to get Muroi, the other resolved to save him, a feud between two police departments, political power plays and legal trappings, all combine to orchestrate Muroi’s downfall.

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

In the future when technological enhancements and robotics are a way of life, Major Motoko Kusanagi and Section 9 take care of the jobs that are too difficult for the police. Section 9 employs hackers, sharpshooters, detectives and cyborgs all in an effort to thwart cyber criminals and their plans to attack the innocent.

A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.

Hoshi Shinichi is the "God of Short Stories" who published more than 1001 short stories during his lifetime, some of which are included in textbooks and continue to be read today. His stories often feature mystery, science fiction, or fantasy elements. A sometimes "humorous" and sometimes "cynic" look at society and mankind. Always short, but always surprising and unpredictable. Is it a poisonous allegory or a wake-up call? See some of his greatest gems come to life in this 2022 live-action adaptation

Two surgeons with contrasting objectives are asked to work together in a city hospital. While one of them strives to achieve fame and power through his work, the other wants to save human lives.

The heroine Balsa is a skilled bodyguard and a masterful spear-wielder. One day she rescues Prince Chagum who has fallen into a river. The prince is carrying a mysterious spirit egg in his body, and is in danger of being assassinated by his father, the Mikado, who fears this will damage his imperial prestige. Balsa embarks upon a perilous journey when she accepts the queen’s plead to protect her son from her husband.

Kindaichi's best friend is involved with the school film club where members are found murdered. Can he protect her before she become the next victim?

Seiichi Habu is a member of the mysterious outlaw group Avalanche. The group exists at a time when moral hazards run rampant among politicians, bureaucrats, businesses, and even among ordinary people.

Ultra Q has returned, and continues investigations of monstrous appearances and strange ecological phenomenons.

Aoi is a moe-type maid working on a wealthy Osaka estate. In reality, though, she is an undercover detective sent by the police on a special mission to investigate a suspect.

Matsuo Ryo works at a gardening company. He thinks women are annoying. At a client’s office, he meets Satogawa Akane who works as a CEO’s secretary. She is admired by the male employees due to her attractiveness and smarts, but, due to a bad experience, she is not interested in finding love. She only has sex with married men. A new male employee, Kinosaki Haruto, approaches Akane. One evening, Matsuo Ryo’s boss asks him if he is interested in marrying his daughter Tanno Ayaka and eventually taking over the gardening company. But, Ryo is embarrassed by the suggestion. He views Ayaka as a sister. Meanwhile, Ayaka works at a construction site during the day but works at a girl's bar at night. She has lost her sexual identity. While working at the girl's bar, female customer Kuroda Azusa approaches Ayaka.

Set in a sake brewery in Niigata, from the Taisho to the Showa period, Retsu is a visually impaired girl with a strong will to make her own way in the world. Her aunt, Saho, watches over and supports her. The series centered on two women with opposing positions and personalities, depicting "home" as a member of pre-war Japanese society, along with a variety of human figures.

After her older sister refuses to go to an arranged marriage meeting with Takane Saibara, the heir to a vast business fortune, high schooler Hana Nonomura agrees to be her stand-in to save face for the family. But what happens when Hana meets Takane is an unexpected pairing of utter opposites!

At present, over 47% of the male population in Japan aged between 30 ~ 34 are single. While for women, the no. goes up to 60% for those in their late twenties. It is not that they are unable to get married. Rather, they all choose to remain single, as they believe that marriage is not the be all and end all. Life holds more promising things beyond marriage, and thus they are all celebrating life as a single. This drama takes a look at life from the perspectives of these men and women. Hoshino Mamoru is the President of a film production company, having taken over the position from his father. He is an excellent creative director, but he detests chaos and hence prefers to remain single. His brother, Susumu, works at the same company, taking care of the business side of things. Currently undergoing divorce proceedings, Susumu has had to move out of his marital home. Haruno Yuki is disillusioned with men, after having gone through several failed relationships. She wasn't making great strides in her career either, and so one day, she decided to quit her job and pursue her dream of becoming a scriptwriter. In order to pay the bills, she takes on a part-time job at a maid agency. Before she knows it, she gets her chance to make her dream come true! It could be Fate, or just plain coincidence, but the 3 of them are plunged into each other's lives; The "Affluent Single", the "Divorced Hero" and the "Marriage Refugee". Will a pivotal moment happen upon them? Will the "Affluent Single" decide to give wedded bliss a chance?

40-year-old Usui Arata had worked as a salesperson for her dream company but right before her marriage, she is betrayed by her fiancée. Not only is her engagement broken off, she is demoted to work at the logistics warehouse in the name of restructuring. Arata’s future is bleak. She has no dream, savings or boyfriend and wonders whether her life will end just like this? This day is her 40th birthday but no one celebrates it with her. The only thing she receives are e-mails from online shopping sites. On her way to the workplace from the company dormitory on a typical dull morning, Arata notices an elderly woman crouching by the side of the road. There is no one in this corner of the city to help her. It feels as if she is seeing herself 40 years later and she instinctively extends a hand to the woman.