Erna Berger

In the first of Hartl's two Mozart biographies, Hans Holt plays the robust and dashing composer who, in keeping with the spirit of the film's time of origin, sets out into the world like a soldier of art after his falling out with the Salzburg authorities. Instead of conquering lands, he conquers the hearts of young ladies, like one of his most famous creations.

In 1848, the freedom-loving Hungarian people, led by Ludwig Kossuth, rose up against the hated rule of the Austrian Habsburg dynasty. In its expansionist policy, the Austrian monarchy had long relied on Hungarian feudal lords who betrayed the interests of their people. The anger of the rebels was directed against the Austrian oppressors and their Hungarian supporters. Against the backdrop of these historical events, the personal fate of the Hungarian patriot Maria Ilona is shown.

Produced by the Nazis in honor of the 150th anniversary of Mozart's death: a celebration of his music, as the film shows him traveling to Prague for the Don Giovanni premiere and inspired by his wife to compose the finale.

After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.

Ave Maria was the second film-starring vehicle for legendary operatic tenor Beniamino Gigli. Mourning the loss of the only woman he ever loved, concert singer Tino Dossi (Gigli) is temporarily shaken from his doldrums by vivacious Montmartre entertainer Claudette (Kaethe Von Nagy). Dossi doesn't realize that Claudette is merely using him to advance her own singing career. Ultimately won over by Dossi's sincerity and courtesy, Claudette falls in love with him for real, only to suffer the pangs of conscience as a result. About to kill herself, she decides instead to return to Dossi's arms, vowing never to confess her original mercenary intentions.

DON GIOVANNI, a young, arrogant, sexually promiscuous nobleman, abuses and outrages everyone else in the cast, until he encounters something he cannot kill, beat up, dodge, or outwit. This legendary production starring Cesare Siepi in the title role with Wilhelm Furtwängler conducting was filmed in Salzburg’s open-air Felsenreitschule theatre during the 1954 Salzburg Festival. Although the production is clearly dated, it remains a must-see for lovers of the opera, both as a historical document of a vintage, all-star production and simply as an excellent way to experience Mozart’s masterpiece.