David Hockney

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

The vivid and inspiring story of British film icon Michael Caine's personal journey through 1960s swinging London.

David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.

Eleven-year-old Beanie's bland life is changed for ever when he is sent on a mission. Armed only with laser lip-gloss and a pair of blend-in pants he has to save his parents from Evil Stella and return the Golden Nit to its rightful place at the heart of the sun, thereby saving the universe.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

The film gives an insight into the minds of leading creative figures of our time and their thoughts on the relationship between technology and creativity and the impact the arts and technology have had on one another in recent years, and how technology has influenced their life.

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

Once dubbed the 'king of cool', a look at the man behind the silky voice as Tony Bennett - civil rights activist, jazz enthusiast, painter and New Yorker - takes a tour around his native city and the world of American music with reporter Reggie Nadelson.

We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.

Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.

Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event

Before "L.A. Confidential", there was "Shotgun Freeway" -- the groundbreaking 1995 documentary about Los Angeles coming to grips with it's own history. Against a backdrop of never-before-seen archival footage, Shotgun Freeway presents a diverse group of "Angelinos" who guide the film through their own past as well as the city's. We get crime scribe James Ellroy reliving his youth as a burglar, Actor/writer Buck Henry's tour of Hollywood fakery, Jazzman Buddy Collette's trip down Central Avenue, Historian Mike Davis' tour of LA's eventual Armageddon, and writer Joan Didion's take on LA's own ephemerality. From the Beaches to the Valley, "Shotgun Freeway" will show you a Los Angeles you never knew existed.

Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.

At the Lightroom in London, pianist Yuja Wang offers an extraordinary recital at the heart of the immersive exhibition devoted to David Hockney. In this concert, the British painter's brightly coloured canvases enter into communion with the musical works performed, ranging from Bach to Samuel Barber. An unusual unison of the visual and audio arts.

The film charts David Hockney's return to the theme of the double portrait, using interviews with his family and closest friends to explore the personal and private nature of his art. It creates an intimate psychological portrait of the artist as he paints the relationships in his own life.

Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.

After a difficult break-up, Hockney is left unable to paint, much to the concern of his friends.

A documentary about Academy Award-winning costume designer Cecil Beaton. A respected photographer, artist, and set designer, Beaton was best known for designing on award-winning films such as 'Gigi' (1958) and 'My Fair Lady' (1964). The film features archive footage and interviews with a number of models, artists, and filmmakers who worked closely with Beaton during his illustrious career.

An intimate portrait of David Hockney, featuring interviews with the artist - one of Britain's most beloved painters - in London and Normandy, and exclusive new footage of a master at work.

Artist David Hockney discusses his theory that artists were secretly using optical devices such as mirrors and lenses in creating their work as early as the 15th century.

He is a major figure in the pop art movement; one of the most popular and influential artists of his generation. The motifs and colors of his canvasses have been widely reproduced, and are now part of the 20th century art pantheon, changing the way we view the world. Hockney is typically seen as an artist who loves life, a good time, glamour and sex. The highly personal and emotional side of his work is often overlooked, much like the intensity and individuality he has shown in each of his successive periods and styles. Through images, anecdotes, and detailed pictorial analysis, this documentary highlights how the renowned painter defies classification and remains mysterious in many ways: an intense, profound, and infinitely passionate artist.

Using over 50 years of archive footage, this film looks back at the life and career of David Hockney.

The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

Behind the Scenes was a 10-part television miniseries aimed towards 8- to 12-year-olds about various aspects of the arts, that was broadcast on PBS in 1992. The series was executive produced by Alice Stewart Trillin and Jane Garmey, produced and directed by Ellen Hovde and Muffie Meyer, and hosted by Penn & Teller. It was developed to illuminate the creative process underlying the working of artists. The series was funded by The National Endowment for the Arts, the John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, The Arthur Vining Davis Foundations, the Nathan Cummings Foundation, the Bingham Trust and McDonald's.