Carlos Santamaría

Argentina: 1969: Major Molina has been sent to a military outpost in southern Patagonia to investigate the brutal murder of soldier Lito. The harsh weather conditions of Patagonia reflect the strict and cruel way in which the Colonel Hellman and his officers direct the garrison. Gradually comes to light that Lito was drugged by a fellow, Reppeto, and therefore was unable to participate in an unexpected military exercise at night. For his "disobedience", Lito was beaten to death. Molina seeks justice, aided by the deceased's family and the village priest. However, he is forced to abandon the case when the military forces take the power in Buenos Aires. Years later, with democracy finally restored in Argentina, the case will be reopened causing the abolition of military service and the military justice system.

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.

Raúl learns of the suicide of Marcela, his high school sweetheart. The shock plunges him into the memory of that winter of 1980 in Buenos Aires. The nostalgic memory of their story revives in the present, like a forgotten love wound that never healed.

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

Upon turning 55, Pepe, a bank manager, feels bored with his life. He abandons his family, quits his job, takes a woman younger than him as a lover, and becomes associated with a moneylender.

It is the year 1998 in Buenos Aires. Chino just turned 21 years old. He is an introverted young man who lives in a small apartment maintained by his parents. He left his Architecture career a few months ago and since then he has spent his time watching films of any kind in different cinema clubs. He lives with Franco, a young man a few years older than him who works on a supposed science fiction film with which he plans to win a contest. He spends his days filming inside the apartment with his camcorder while acting out scenes from the supposed script in a somewhat ridiculous way.

Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm near Villa Dolores to reduce their expenses. Fernando comes up with the idea to grow lavender and sell the oil to the perfume industry.

An overweight teenager tells a video camera that she will commit suicide in three days unless something emotional happens to her first.

A police officer gets involved in a very peculiar case when he discovers he shares his name with the main suspect.

Haroldo Conti tells the story of himself. Through his literary stories, his voice rescued from archives, the fictional recreation of his anecdotes, and his characters, the film tells us about a man and his work. It is Haroldo Conti himself, that man who travels, a "homo viator," as he defined himself in the Latin he taught in schools, who guides us in this film through all his worlds: that of ideas, that of creation, that of affections. In all of them, one constant: a profound love for humanity and for life. Haroldo Conti, Homo Viator, knew how to live with intensity and conviction. But, above all, with joy.

Pablo Nazareno is a 26-year-old guy who works at a science laboratory in a low work. After the mysterious death of one of the employees, weird things start to happen in the laboratory, and Pablo finds out that the lab may close. The arrival of Lucía Navarro, a beautiful computing expert, makes Pablo feel that he MUST discover what is going on in the lab... but this may put him in danger. There is only one thing that can give strength to Pablo: the love he starts to feel by Lucía.

The trauma of a past war can destroy a future life.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

A small team of con artists for hire use their skills to solve common people's life problems.

The series interspersed the most significant historical events of the southern country with the comings and goings of a family living in the suburbs of Buenos Aires.

A show where a drunk narrator tries telling an important event of the history of Argentina and Latin America.

Amas de Casa Desesperadas is an Argentine television series, that debuted on Canal 13 on August 30, 2006. Set in the fictional Manzanares Street, a suburb surrounding Buenos Aires, the series follows the lives of four housewives and the domestic problems and daily mysteries surrounding their husbands, friends and neighbors, which can be more sinister than they appear. The series' tone combines elements of drama, comedy, mystery, farce, soap opera and satire. Based on the American television series, Desperate Housewives, it was developed for Argentina by Buena Vista International and Pol-Ka Producciones. The show’s first season was broadcast by Canal 13 on Argentina, and also by other networks on Uruguay and Paraguay. On October 2006, Canal 13 renewed Amas de Casa Desesperadas for a second season, that will start filming on August 2007.

Based on the true story of one of the most notorious crimes in Argentina, the series intimately follows all those involved in the case, and those who are still seeking an answer to the question: Who killed María Marta?

Sol Negro was an Argentine television miniseries that aired on the América TV channel in late 2003. The plot focuses on the story of a young man who is admitted to a neuropsychiatric hospital to evade prison, and revolves around his insertion in the circle of inmates of the hospital and a complicity network to take away his share of a family inheritance.

Historias de sexo de gente común is a television show about common people's live revolving around sex in Argentina, produced by Endemol and aired by Telefé.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

Carmen and Elena Iturrioz are sisters and partners in a laboratory inherited from their parents. Both carry out the cases that reach the laboratory, together with a team of collaborators. Each episode will stage a new story that arrives at the laboratory at the hands of characters seeking to find out their identity, recognize a son or a brother, gain access to an inheritance or identify a genetic disease, among others. they will reveal who they are; they will get closer to their own personal and family identity.