Susan Burke

The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.

Kate and Charlie like to have a good time. Their marriage thrives on a shared fondness for music, laughter… and getting smashed. When Kate’s partying spirals into hard-core asocial behavior, compromising her job as an elementary schoolteacher, something’s got to give. But change isn’t exactly a cakewalk. Sobriety means she will have to confront the lies she’s been spinning at work, her troubling relationship with her mother, and the nature of her bond with Charlie.

A man descends into paranoia after trapping what he believes to be the devil in his basement, but things take a dark turn when his family unexpectedly arrive for Christmas.

When an inexperienced park ranger finds a dead body under mysterious circumstances on a remote mountain trail, she must guard it overnight until authorities can arrive, forcing her to confront some of her deepest, darkest fears.

Proof-of-Concept for the original series Electric Television.

Before Lisa Lampanelli and Sarah Silverman shocked audiences with dirty jokes and raised questions of a woman's place in comedy, there was Mae West. And at the same time as Mae West, there was Margot Rourke, who nobody has heard of but who was responsible for the greatest dirty ditty of all time. This is her story — a short film about the first female fart comic.

Directors: Camerin Burns, Brian Zarin

It's summertime in Columbia, Missouri. The college students have all gone home and Kirsten (Hari Leigh), a blissfully irresponsible register jerk, reigns as the clown princess of the downtown bar scene. Kirsten works ten hours a week at Shakespeare's Pizza and is entirely satisfied with her humble but comfortable world, although she is despised by her long-suffering roommate (Amy Seimetz) and her best friend (Josh Fadem) has come to tire of shepherding Kirsten's drunken antics. While reluctantly reconnecting with an eccentric childhood friend (Susan Burke) who has recently moved to town, an ill-fated nitrous oxide bender unexpectedly forces Kirsten's first baby steps into adulthood.

Two recent college graduates, Anne, an ambitious law student and Amir, an aimless escalator attendant and aspiring sculptor move into a 300 square foot apartment and try to start a life together. But the combination of their small apartment, their threateningly handsome neighbor across the hall and unexpected visitors from the past make them realize that maybe they aren't as perfect for each other as they previously had thought.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

A travel show fronted by our intrepid host, Jonah Ray, where the places are real, but the people aren't. America's Never Been Citier...