Ko I-chen

The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

Amid a rapidly changing cityscape, the lives of a disparate group of swindlers, hustlers, gangsters, and expats collide, with a naive French teenager and a sensitive young local who tries to protect her caught dangerously in the middle.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

The Bad Boy Squad, a variety of private detective agency, is composed of King (Ekin Cheng Yi-kin), Queen (Kristy Yeung), and Jack (Louis Koo Tin-lok), whose primary source of business is the reuniting of clientèle with their first flames, and when the trio of young operatives returns to Hong Kong from an assignment in Thailand and the Squad's next three customers supply photographs of lost loves, the women in the pictures appear to be the same individual.

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

After falling in love with a traffic cop, a cab driver commits as many traffic violations as he can in order to see her again.

Ip Cheung and her husband, a senior police inspector, had been happily married for 18 years. One day, Ip runs into her neighbour, a Taiwanese woman. As they are talking, three men suddenly appeared and tried to kill them. The Taiwanese woman is killed but Ip and the kid, Yen, managed to escape. At the same time, Ip's husband commits suicide. His superior suspected him of corruption. Ip finds out that the Taiwanese woman was her husband's mistress and Yen, his illegitimate son. Ip is given custody of Yen but they are unable to get along. However she will save his live when the gang go after him.

The startling contrast between old and new Taiwan is the subject of Wan Jen's epic of traditional identities coming into conflict with an urban life, emphasizing the situation of women.

What happens when a costumed universal space hero is put out to pasture? Or, rather, the actor portraying him is?

Wan returns home with an enormous debt after her modelling career fails, only to find that her family's restaurant has dwindled down to a single noodle stand. The situation is hopeless until a master chef decides to help her family return to glory.

For the past forty years, Ah Long has headed up a traditional Chinese musical troupe. But times are changing, and the troupe members leaving one by one, Ah Hui, is an aimless slacker with no plans for the future. Ah Hui’s best friend is Ah Gou, a young man who works as a welder making metal gates.

Three Chinese women with vastly different backgrounds get acquainted and become friends amid the social desolation of New York.

A triptych reinterpreting Shakespeare's classic character Juliet. The three stories are directed by 3 different directors; Juliet's Choice (By Hou Chi Jan), Two Juliets (By Shen Ko Shang), and Another Juliet (By Chen Yu Hsun) Juliet's Choice : In the 70's, Ju worked in a printing store where a boy with a banned article changes her life. Two Juliets : Mei is told that in the 80's, a woman faked insanity to be locked up just to wait for her lover. Another Juliet : In 2010, "Juliet" tries to commit suicide but a TV commercial crew gets in the way.....

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

At an old age, a former political prisoner is determined to find out where his fellow sufferers have laid since their secret execution, while Taiwan embarks on a tumultuous path of democratization.

There are several anthology films at the beginning stage of Taiwan New Cinema. Ah Fu consists of three shorts, having directors from various backgrounds. The leading roles in the three films are all named Ah Fu. The stories are played by different actors and located in Hong Kong, China, and Taipei respectively.

'Such a Life' is quite a sad film. It is set in the sixties, in a village on the west coast of Taiwan, where many are succumbing to 'black foot', a disease caused by drinking contaminated well water. The only 'cure' is to amputate the afflicted limb, and to avoid drinking the contaminated water. Many in the village were already sick, and few could afford to have tap-water installed. At the center of the story is Ah Chung, who lives with his grandfather, who has already lost one leg to 'black foot'. In the same village also live an opera family, who are finding things increasingly difficult there, an oyster farmer, who complains that his oysters are being poisoned by a nearby pharmaceutical plant, and an assortment of children who enjoy swimming in the sea, and who bully Ah Chung. A significant portion of the action also takes place in the village school, where Ah Chung is having trouble keeping up with the fees.

Xiaoyue finds that her mother has been working for a long time away from home when she receives the apples sent from her mother. Just entering her puberty, Xiaoyue comes from a new immigrant family from Vietnam. She is laughed at and bullied in school because her old father makes a living as a scrap collector. The rebellious Biyan always stands out for Xiaoyue. She even plans a three-day journey to see her mother with Xiaoyue. Ms. Chen is faced with a dilemma. She is going to retire but the after-school tutorial class in the community is the only place for her to care her students. For Xiaoyue and her friend Biyan, her class is their hope.

Weng Wen-fang (Hsieh Ying-hsuan) came from a political family. She joined the Justice Party as the deputy director and spokesperson of the Publicity Department, after failing to be re-elected as a member of the Council. She led the publicity team in realizing their goals, but not without facing many challenges to their faith and values.

Jiang Chen-bo is a loser without prospects for success, until a surprise promotion becomes the catalyst for his entire family's upturn in fortune.