Yevgeny Yevtushenko

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

1953 year. Moscow says goodbye to the leader. In the funeral crowd, Eugene met with Elya. During the long hours spent in the funeral procession, they managed to learn a lot about each other ... But Elia absurdly dies. So Zhenya begins another, adult life ...

In the film, the authors act as researchers of the Thaw era and the generation of the sixties.

Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.

The film recounts the "First International Festival of Poets" held on the beach at Castelporziano in 1979, intertwining the event with symbolic and disturbing events in Italy in the late 1970s, such as the proximity to the site of Pasolini's murder and an oil spill offshore coinciding with the event.

The career of revered Russian filmmaker Mikhail Kalatozov is explored in this documentary film comprised of rare behind-the-scenes footage, interviews with French director Claude Lelouch, and conversations with some of the biggest names in contemporary Russian cinema. Kalatozov's grandson Mikhail Kalatozishvili pays tribute to the director of such timeless classics as I Am Cuba, Salt for Svanetia, and The Cranes are Flying as such notable fans as Andrei Konchalovsky, Sergei Solovyov, and Alexei Batalov discuss the remarkable influence Kalatozov had on their own film careers.

The subversive masterpieces of Russian-Ukrainian writer Isaac Babel challenged the reality of life under rising totalitarianism, and led to his arrest and execution in 1940. In Finding Babel, Andrei Malaev-Babel confronts complex traces of a turbulent history that echo in his grandfather's writing and in the conflicts of today's Ukraine and Russia. Babel's fiction is woven into Andrei's search with ethereal animation that puts the viewer, like Babel's readers, between fantasy and reality.

Having returned from the army, 20-year-old Sergei settles down at the thermal power station and merges into ordinary life. Every day he meets and spends time with childhood friends — the young family man Slava and the merry fellow Nikolai, and once at first sight he falls in love with a stranger on the bus. A lyrical story about a generation of young people entering adulthood, a reappraisal of values, life principles, traditions in culture and art.

The movie reminiscence of the Soviet poet Yevgeny Yevtushenko about the military childhood when he one reached the Siberian Winter station where he was waited by the grandmother. The way was unusually long, cold, hungry and angry.

A 1975 Soviet Ukrainian musical film by Viktor Storozhenko, starring Sofia Rotaru and the Ukrainian vocal and instrumental ensemble Chervona Ruta. The film features the ballet group of the Kyiv Music Hall and the Smerechyna dance ensemble. The film features songs in Ukrainian, Romanian and Russian.

A biographical film about the life of the great Russian scientist, inventor of rocket technology and the founder of theoretical astronautics — Konstantin Tsiolkovsky, the hard spiritual work of the thinker, overcoming the stagnation of the surrounding and dramatic events of his family life.

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Humanity knows two types of logic: male and female. In the new TNT show, we do not push them together, but rather make them work for one common result. Star couples, partners on the set, just good friends and acquaintances will together try to build logical links between the most seemingly illogical events, objects or facts.