
Arvo Iho
Director · b. 1949 · Rakvere, Viru County, Estonian SSR, USSR [now Lääne-Viru County, Estonia]
Arvo Iho (born June 21, 1949) is an Estonian film director, cinematographer, actor and photographer, who has worked in the areas of documentary and drama. Born in Rakvere, Iho worked as a photographer and assistant for Tallinnfilm before studying cinematography at the Gerasimov Institute of Cinematography. Iho acted as assistant director to Andrei Tarkovsky on the 1979 film Stalker. He went on to work as a cameraman for Tallinnfilm in the 1980s. In 1985, Iho co-directed the feature film Games for School–Age Children with Leida Laius, also acting as director of cinematography, and in 1987 made his solo directorial debut with The Birdwatcher, about the relationship between a poacher and an ornithologist. He followed this with Only for the Insane (1990). In 2001 he made The Heart of the Bear, based on the Nikolai Baturin novel, and in 2006 made Gooseberries. As a photographer, Iho has exhibited nationally and internationally. As of 2017, Iho was a professor at Tallinn University's Baltic Film and Media School.
Movies3
Movie4.8DramaSet in the post-war years when sovietization was still being resisted by partisans, often at the expense of a farming population intent on rebuilding.
Movie7.0AdventureFamilyArabella is a daughter of the world's most terrifying pirate captain. She loves her father but also dreams about a life of a usual girl. One day a weird stranger is saved from the sea who will be the only friend of Arabella. At the same time a rival pirate called Raudpats plans to kidnap the girl. Will she be safe and can she ever live a normal life?
Movie9.0ActionCrimeHalf the film was shot with a video camera taken from a television station without permission, the cast and staff were unpaid, and the script was written as a screenwriting class assignment.
Series1
TV7.2DocumentaryA documentary series exploring the myths and legends behind some of Hollywood’s notoriously “cursed” horror film productions. From plane accidents and bombings during the making of The Omen, to the rumored use of real human skeletons on the set of Poltergeist, these stories are legendary amongst film fans and filmmakers alike. But where does the truth lie?
Cursed Films
2020 · 44 votes