Aten Soria

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.

Father Vergara—an exorcist, boxer and ex-convict—lives in a remote village in Spain. Hoping to be lost and forgotten, Vergara’s demons catch up to him.

When the founder of Torregrosa Funeral Home dies, his scheming right-hand man is poised to take over the business. But the owner's widow has other plans.

A couple forced to separate must find each other in another life to break a spell on their town, where no one can fall in love.

Cris and Diego just broke up and agree they want to stay friends. But that gets tricky when they move back in with their parents. The grandparents are eager to treat them like kids again. It doesn't matter that Cris and Diego are over forty years old, or have a five-year-old daughter, Cloe.

Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.

Vera and Lucas, a frustrated couple in their forties, find a huge apartment at half the usual price thanks to a “bare ownership” deal: they buy it now, but the elderly owner will keep living there until he dies. What seemed like a miraculous opportunity soon turns into an obsession when Jesús disappears, reappears changed, and stops behaving like someone on his last legs. Caught between suspicion, frustration, and increasingly dark humor, the couple begins to consider a plan as absurd as it is tempting.

Nacho, a young man in his mid-thirties, is losing control of his life. In order to finance his various addictions, he has accumulated large debts with dangerous moneylenders. Fearing he no longer has control over himself, he flees to the city, leaving everything behind. There, he meets a woman who is older than him and falls in love with her. Lucia is very supportive of his development into a better and more adult Nacho. As Nacho’s mother is lying on her deathbed, he is forced to return home and face everything he had left behind.