Kristýna Badinková Nováková

Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.

A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

Jiří Markovic thought capturing Ladislav Hojer would be the defining case of his career. He was wrong. As communist Czechoslovakia prepares for the 1985 Spartakiad, an unpredictable serial killer terrorizes Prague. Under intense pressure from state authorities, Markovic and his team race against time to stop a murderer the entire country fears, testing the limits of justice, politics, and morality.

Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

The film adaptation of the novel of the same by Michal Viewegh. The hero of the novel is a primary school teacher with a successful writing career ahead of him who accepts well-paid employment from an entrepreneur who entrusts him with the task of making his unusual daughter "see sense".

Young Ondra has asthma and so his parents throw away his favourite toy: a musty old stuffed bear named Kooky. That night Ondra dreams that Kooky is determined to find his way back home from the dump. In the boy's fantasy, the bear gets lost in a forest occupied by strange animals and remarkable beings that he never heard of while living on the toy shelf in Ondra's room. And of course even in this small imaginary world, true good exists as does real evil, which Kooky must face up to in order to become a real hero.

Young musicians unexpectedly find themselves face to face with the practices of the underworld and the mafia.

A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.

Gynecologist Michal is caught cheating and must deal with a tricky, almost classic, love triangle situation. In the comedy Catch the Doctor!, he will deal with it in several different ways. After his attempt to save his marriage does not go quite as planned, he returns to the beginning of the film, to the point of one decision, and starts over. Differently. A total of three times, viewers will return to the same place on the same day with the main character, and three times they will be amazed at what can happen.

The five-year relationship between older Michal and Veronika has reached a crossroads. While he is already planning children and a family, she feels that she has not experienced anything yet and wants to have fun. They live side by side without really being together. Under pressure from arguments and fear of breaking up, Michal comes up with a mysterious vacation for Veronika. From the beginning, however, everything is different from what the meticulous Michal had planned, and Veronika shows her disappointment. The trip through Scandinavia and the situations it puts them in hold up a mirror to themselves and their relationship. Everything seems to confirm that they should no longer be together. An encounter with Šimon, an adventurer and petty thief who is always on the road, gives their lives and their relationship an unexpected reflection and moves them forward.

On the night it happened, Aleš Berka was celebrating his 50th birthday. A successful, mature man at the peak of his powers. Congratulations, gifts, a happy mistress, a healthy son. The fact that one of the guests had an accident at an intersection on his way home from the party was just a minor blemish on an otherwise perfect evening. The local underworld boss, Radek Máša, immediately called Aleš and asked him to cover up the accident, as always. The district police chief, Aleš Berka, promised to do so, as always. But in the morning, he learned that Marta, the girl who was driving the car, was lying in agony in the hospital and that she was the love of his son Ríša. Ríša believes unconditionally that his father, the district police chief, will do everything in his power to find and punish the culprit of the traffic accident who fled the scene...

Ofka has fallen into a strange lethargy: while most of her high school classmates continue their studies, she refuses to leave the deceptive comfort of childhood, which is quickly turning into a stifling trap. She works in her brother-in-law Eda's 24-hour shop and lets the fragments of wasted lives of regular and random customers, as well as those of her old friends who, like her, only really live at night, flit around her. Sometimes she drops in on a group drinking in the Vltava harbor, wanders the streets with the eccentric Ubre, who is fascinated by fishing discarded items out of trash cans and hopelessly in love with her, and avoids Míra, who, on the contrary, has stopped loving her. However, it is becoming increasingly clear to her that one day she will have to say goodbye to her childhood, cross the borders of her native neighborhood, and start doing something with her life...

The psychological story begins innocently enough with a meeting between two young people in the basement of a suburban house. A flirtatious and bored girl, who is not particularly selective about her lovers, provokes an unpredictable reaction in her partner with her unexpected rejection. Not only does the boy rape the girl, but, fearing discovery, he kills her. All this is witnessed by a little boy wandering through the holiday-empty house, who thus becomes an inconvenient and dangerous witness for the murderer. The psychological and later physical "battle" between these two unequal opponents, who are not really opponents at all, culminates in a story of guilt and punishment, and at the same time of a special friendship and loyalty.