Margareta von Krauss

A young professor travels to Budapest to locate a lost colleague. Once there, he gets tangled up in a supernatural mystery.

The film chronicles the melancholy journey of two celebrity look-alikes chasing their dream of la dolce vita in Italy. Romanian Marilyn Monroe impersonator Ileana and Bulgarian Elvis double Nicolaj win a look-alike contest in Bucharest in which the prize is a summer engagement in a nightclub on Italy's Adriatic coast. The two strangers take off together, communicating in the broken Italian they picked up from TV. When a bureaucratic hitch with Ileana's passport cuts them off at the airport, they cross the border illegally by car, travelling through a part of Yugoslavia devastated by war. They accept hospitality at a military outpost, but the suicide of a colonel there casts suspicion on Ileana. Beaten and afraid, they continue their odyssey across the harsh sunless no-man's-land gradually scarring them both and clouding their hopes. They finally reach Italy, but all is not as promised.

Three situations about women's lives in three different periods.

The main characters are two "Don Juans", professional "fiancees", who travel the country in search of desperate women willing to spend money to find their soulmates.

What is the shady affair in which the woman is involved, and what is her role? Is or isn't the man a marquis? Who is the young man played by Fabrizio Bentivoglio, and why does he own that car? Does Basque nationalism have to do anything with the story? Everybody has something to hide, everybody seems guilty.

The stories revolve around the investigations of Valentina Rosselli, and the intrigues in which she gets involved because of her curiosity and her wonderful physical appearance. In the Shareholders She is often assisted by the antiquarian Philip Rembrandt, with whom she shares an ambiguous relationship.

The story of Mafalda is like the one of Cinderella, just the other way round. The dramatic real story of a Italian princess, born and raised in the comforts of a golden court, who will be forced by war to share the fate of ordinary people in a concentration camp. Mafalda di Savoia was chosen to represent the decline of nobility and the errors of war, which separate and destroy even noble families. Mafalda is a victim of political strategies that overlook her, and her tragic death shows the levelling power of war, that forces poor and rich alike to share the same destiny.