Alfred Hoffman

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

Egyptologist Robin Ellis and American reporter Eva Marie Saint uncover King Tut's burial site but wealthy profiteer Raymond Burr tries to make sure that the valuable artifacts in its chambers never leave the country.

A European arms dealer meets a liberated woman journalist, who is writing a story about the ridiculous things men do with the armaments during a NATO war games meeting.

Plain Jane Hartman hates her life. She's goofy, boring and only has sex if she reads Iris Murdoch novels out loud to her loopy boyfriend. Her oldest friend Antonia McGill knows about everything. She orders the right food; she can complain and get results. She's beautiful and has a brilliant career. Is it any wonder that they hate each other's guts?

Aegeon of Syracuse has come to Ephesus to seek his son, who went in search of his missing twin and mother months ago. Too bad that Ephesus has just declared war on Syracuse, and will instantly put to death any Syracusean found within their borders unless a ransome's paid. Meanwhile, the son, Antipholus, and his servant, Dromio (also an identical twin), keep running into strangers who seem to know them...

Smith and Laye-Parker meet Kuprin and find he is less anxious to leave Russia than they supposed.

Russia's Space Race success is mainly due to a brilliant rocket scientist, Kuprin. But a journalist and a politician in London remember him as a fervent Anglophile who had to leave Britain under duress. Can he be persuaded to return?.

A devestating, yet bracing look at a family whose proximity to each other belies the decay of their relationships, The Wild Duck is just as modern today as it was when first staged. When Gregors Werle comes to stay with the Ekdals, his idealist nature refuses to tolerate the dreamworld of lies the family is living. However, in his bid to force the Ekdals to see the truth, the skeletons he unearths destroy the family that he wanted to redeem.

A wounded member of a rebel terrorist organisation is tended by an English nurse. She is imprisoned, interrogated, then released to face another form of interrogation.

An elderly couple organize a tea party for a group of old friends. But appearances can be deceptive, nothing is quite as it seems. Someone's in for a big surprise ......

Angie refuses to let her grandfather – an ex-biker who suffers from dementia – be taken to a nursing home for his last days. Just as he is about to go, she locks herself in his room, and proceeds to a final act of love.

Jewish boy loves Catholic girl - will love triumph over family objections?

A young bride is possessed by a dybbuk, a malicious possessing spirit, believed to be the dislocated soul of a dead person, on the eve of her wedding.

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

The Expert is a British television series produced by the BBC between 1968 and 1976. The series starred Marius Goring as Dr. John Hardy, a pathologist working for the Home Office and was essentially a police procedural drama, with Hardy bringing his forensic knowledge to solve various cases. The Expert was created and produced by Gerard Glaister. The series was also one of the first BBC dramas to be made in colour, and throughout its four series had numerous high quality guest appearances by actors such as John Carson, Peter Copley, Rachel Kempson, Peter Vaughan, Clive Swift, Geoffrey Palmer, Peter Barkworth, Jean Marsh, Ray Brooks, George Sewell, Anthony Valentine, Bernard Lee, Lee Montague, Geoffrey Bayldon, Mike Pratt, Edward Fox, André Morell, Brian Blessed, Nigel Stock, Philip Madoc and Warren Clarke.

World War II drama about covert organisation Lifeline helping allied airmen escape after being shot down in occupied Europe, working with the Resistance and hiding from the Gestapo.

Studio 4 is an anthology drama series utilising BBC Television Centre's Studio Four, and running for two series in 1962 on BBC One. It was envisaged as a sequel to Storyboard, a similar anthology series which had been transmitted the previous year.

Children's series putting an unusual comical slant on the problem of children left to fend for themselves after school as their parents are at work.