
Arne Sucksdorff
Director · 1917 – 2001 · Stockholm, Sweden
Arne Edvard Sucksdorff (3 February 1917 – 4 May 2001) was a Swedish film director, considered one of cinema's greatest documentary filmmakers. He was particularly celebrated for his visually poetic and scenic nature documentaries. His works include Pojken i trädet (The Boy in the Tree) and the Academy Award-winning Människor i Stad (Symphony of a City).
Movies3
Movie7.0AdventureFamilyArne Sucksdorff’s celebrated nature film follows two brothers in rural Sweden as they witness a fox raid and secretly raise an orphaned otter. Told through an adult’s memories, it reflects on childhood, nature, and the fragile balance between wilderness and civilization. The film won the International Prize at the 1954 Cannes Film Festival.
MovieDocumentaryAlso known as A World Apart, this Brazilian documentary series by Arne Sucksdorff was produced during his years living in Mato Grosso with his wife Maria da Graça and local collaborators. Filmed between 1970 and 1976, it records everyday life, landscapes, and wildlife of the Pantanal wetlands, highlighting both the beauty of the region and the pressures facing its environment. Combining observational footage with an ecological perspective, Mundo à Parte extends Sucksdorff’s work in På jordens baksida (1972), continuing his exploration of Brazil’s natural world and the communities who live within it.
Movie6.0DocumentaryThis four-episode Swedish documentary series by Arne Sucksdorff draws on footage shot over four years in Brazil—especially in the Pantanal wetlands—and is narrated from Sucksdorff’s personal diary. It combines images of plants, animals, landscapes, and daily camp life with moments of tension (e.g. threats to wildlife) and reflection on humanity’s relationship with nature.
Series2
TV5.0DocumentaryReflets de Cannes
1954 · 2 votes
TVDocumentaryThis four-episode Swedish documentary series by Arne Sucksdorff draws on footage shot over four years in Brazil—especially in the Pantanal wetlands—and is narrated from Sucksdorff’s personal diary. It combines images of plants, animals, landscapes, and daily camp life with moments of tension (e.g. threats to wildlife) and reflection on humanity’s relationship with nature.