Mitsuo Nagata

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.

In the mountainous region of Koshu, Taikahara, there was an intense power struggle between the prominent families, Tamaki and Kakukura. Facing the steward of Kakukura, Kurokawa Senjiro, was Tamaki Daisaburo, who was skilled with a handgun. Daisaburo had granted protection to the charcoal maker, Miyoshi, safeguarding a few mountains passed down from their ancestors. Daisaburo's elder brother, Iori, who had completed his training in Edo, saved Kakukura's only daughter, Koyumi, on his way back home. However, while Daisaburo rushed to Iori's aid after Koyumi was attacked by Kurokawa and his men, their family home was set ablaze.

A yakuza leader must balance his violent tactics necessary for the rough streets of 1960s Tokyo with the domestic needs of his daughters.

A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!

The university professor Ozeki Hitoshi (Ryu Chishu) is regarded as an eccentric by people in his surroundings. When his daughter Tokiko is asked to marry a colleague, she and her mother are overjoyed, but Hitoshi is not satisfied with the situation.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

Young Lord Takenaka stands to succeed his father until a series of violent actions lead his retainers to think that he has gone mad with blood-lust. Never offering any explanation, he continues his seemingly unprovoked attacks until he is sent away from his domain.

When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.

When Honjo is selected as Kansai district's chairman, Iwasa of the rival gang asks Itsuki to do everything possible to have Honjo step down, which puts Itsuki between a rock and a hard place.

Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

The second film in the Kanto Street Peddlers Clan series starring Bunta Sugawara.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The second standalone TV drama in the Kōsuke Kindaichi series, starring Ikko Furuya. Fresh blood drips from the ceiling onto a bride’s gown… Kindaichi takes on the challenge of solving this mysterious case.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

A country boss gives up his way of life because of his daughter's marriage.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...