Marco Bellocchio

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

Days before the general election, after a girl from a rich family is murdered in an attempted rape, the editor-in-chief of a conservative tabloid tries to derail the police investigation in order to help the right-wing candidates supported by his bosses.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.

Matteo is a communist intellectual, the son of a wealthy bourgeois, who found himself blind from an eye after the war. One day in the streets of Rome he meets Amelia, a child suffocated by the bourgeois environment.

Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

Documentary about Italian film screenwriter Cesare Zavattini

A documentary exploring the life and legacy of renowned Italian actor Gian Maria Volonté, featuring insights from his colleagues, family, and never-before-seen footage, highlighting his artistic journey and political activism.

Various generations of filmmakers talk about what cinema means for them.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

An engineer invents a revolutionary machine capable of automating all industrial production, thereby eliminating the need for human labor. His groundbreaking innovation, intended to free humanity from work, instead leads to his abduction and brainwashing by unknown forces. He is then left to wander the city, stripped of his memories and identity.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

The extremely mawkish hides something extremely violent.

In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

Drawing on archives and interviews, including one with Italian director Marco Bellocchio, this is a fascinating behind-the-scenes look at the making of his film about reformed mafia member Tommaso Buscetta.

A documentary focused on film critic Lino Micciché, as seen from the point of view of his friends and his son Francesco.

A talk show presented by Michel Drucker

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

In 1968, young people from Berkeley to Paris and from Prague to Tokyo rose up against the world they were being offered. In this sprawling but riveting two-part documentary, veteran filmmaker Don Kent tracks the development, decline and legacy of this global movement against the fiery backdrop of the Vietnam War, civil rights struggles, dueling ideologies, and international coup d’états. A time capsule full of evocative sights and sounds, narrated by leading historians and political activists, Les années 68 effortlessly connects apparently discrete events to form a blazingly timely analysis of a decade that shaped the way we live now.

A critique of cineastes and cinephiles, including a once famous actress reduced to poverty and a man who fails miserably at running a film society with no money.