Dolly Haas

When a priest hears a murderer’s confession, he becomes bound by his vow of silence—even as circumstantial evidence turns suspicion toward him. Torn between faith and self-preservation, he faces public scandal and trial for a crime he cannot reveal the truth about.

Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is in love with a poor dancer but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May to marry him and she accepts even though she doesn't love him. Soon after, Louis has an accident and gets knocked on the head, where he dreams that he's King Louis XV pursuing the infamous Madame Du Barry.

Marshovia, a small European kingdom, is on the brink of bankruptcy but the country may be saved if the wealthy American Crystal Radek, widow of a Marshovian, can be convinced to part with her money and marry the king's nephew count Danilo. Arriving to Marshovia on a visit, Crystal Radek change places with her secretary Kitty. Following them to Paris, Danilo has a hard time wooing the widow after meeting an attractive young woman at a nightclub, the same Crystal Radek who presents herself as Fifi the chorus girl. Plot by Mattias Thuresson.

The childhood, adolescence, and incredible adult years of Al Hirschfeld, celebrated creator of thousands of line drawings of famous people - many in the entertainment industry - over a span of more than sixty years. He is still drawing in his nineties. His interesting domestic life, political, and cultural views are highlights. In addition, he talks about himself a bit - seriously and lightly.(At one point he he claims that his only form of exercise has been to live in his Manhattan townhouse: stairs). He drives his car around Manhattan - an adventure in itself. Brief interviews with, and reminiscences of many friends and associates.

In New York, a surly, down-on-his-heels playwright meets a country girl who's giving up trying to act and returning home. He goes with her for inspiration when his agent convinces a stage star to take his next effort. When he returns to Broadway, his girl stays behind and starts seeing a local businessman.

Egbert Sousé becomes an unexpected hero when a bank robber falls over a bench he's occupying. Now considered brave, Egbert is given a job as a bank guard. Soon, he is approached by charlatan J. Frothingham Waterbury about buying shares in a mining company. Egbert persuades teller Og Oggilby to lend him bank money, to be returned when the scheme pays off. Unfortunately, bank inspector Snoopington then makes a surprise appearance.

The fast-driving daughter of a car manufacturer keeps Berlin's most pricey lawyer busy as she keeps getting into scrapes.

The pleasure boat “Milwaukee” has a wide variety of guests on board: Frau Deiters, who is determined to get her daughter married off; Herr Krueger, who won a free ticket to travel onboard; Herr Dr. Bornemann, a completely introverted man, who has dedicated himself to his work; and Ms. Kathe, the ship’s photographer. On the way to Madeira, Mother Deiters quickly determines, that only Dr. Bornemann would be an appropriate match for her daughter. However, Fraulein Kathe secretly is in love with him. When the two end up in a very publicly embarrassing situation, the entire ship thinks she is the fiancée.

A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster

A hilarious comedy of errors starring Dolly Haas: Annie, the locksmith's daughter, and Georg, a car salesman, meet at the fair but quickly lose touch. Later, Annie is tasked by her father with delivering new locks to a countess's castle. At the train station, she is mistaken for the countess's niece, whose arrival is imminent. She is taken to the castle in a magnificent carriage and encounters Georg again, who is out for an unauthorized joyride in a stylish car. Each now believes the other to be extremely wealthy. When the real countess arrives at the castle, she enjoys playing along with the charade and poses as her own companion, with whom Count Egon falls in love. After the confusion is resolved, there are two happy couples.

The Duke of Bridgewater sends for the heir he's never seen. His heir is Patricia, and the Duke is a woman-hater, so Patricia disguises herself as a boy.

Dolly Haas is employed as a (supposedly male) servant at a Hotel.

A man swallows a diamond - and suddenly all people around him change their attitude towards him.

During the Austro Hungarian empire, a girl substitutes for her brother in a military academy.

The street urchin Scampolo (which means, "A Nothing"), who sleeps at night in a telephone booth and earns a little money running errands for a laundry, falls in love with a despondent, out-of-work bank manager in Depression-torn Germany, and thereby becomes a woman in the eyes of other men.

Leopold Pichler is a very orderly and trustworthy chief cashier who is asked by his boss to get a large sum of money from the bank which the boss urgently needs on a trip to Vienna. Due to some circumstances, getting the money takes a little longer than expected and the director leaves for Vienna without it.

A group of popular musicians including a girl singer is staying in a spooky castle where there may be a treasure of money.

An unattractive secretary is hired so the men in the office will focus on their work, but comic complications ensue.

A Chinese missionary comes to England and helps a young girl ill-treated by her father. A remake of D. W. Griffith's masterpiece.

A chronicle of the rescue of oppressed intellectuals and artists from Europe before the outbreak of World War II. It studies the cultural and intellectual impact of this emigre population on American life.

The two happy fitters Eddy and Tommy are doing overtime to ensure the great travel-exhibition of the department store they work in is ready for display. Outside, they see a poor newspaper seller, who looks longingly at the beautiful things in the display window. So they simply decide to smuggle the unfortunate inside and compete to win her favor by giving her gifts from the shelves of the department store. In their frenzy of happiness, they don’t notice that the girl is taking the fun little game for the truth. When she realizes that she has to give back the alleged gifts, she runs away.

Exiled French patriot helps to find the men who want to betray emperor Napoleon III by selling military secrets to the German government.

A portrait of three remarkable women who were once celebrated figures in the German cultural scene: film star Dolly Haas, dancer Lotte Goslar and artist Maria Ley, Erwin Piscator's widow.

Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.