Mariana Pacheco

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

On her birthday, Joana's joy turns to despair when her abusive husband discovers her pregnancy and attempts to harm her. Fleeing the city, she finds refuge on a boat with criminals, but realizing the danger, she sees land beyond so leaps into the water and swims to Terceira Island, leaving her life behind. Exhausted on the shore, she encounters Chico, a lost child, during a religious ceremony. Joana arrives with the child, inadvertently becoming mistaken for a saint 'Our Lady of the Sea', revered by the island's faithful.

Vitória returns determined to recover her children, Afonso, Matilde, and Francisco, after serving an unjust prison sentence. Her father-in-law, Manuel Mendonça, a powerful and manipulative man, has managed to separate his grandchildren from their mother and will do everything to keep her away from her family. With the help of Jorge, a prestigious lawyer and her first love, Vitória will face the Mendonça empire and fight for what she loves most: her children. Vitória is a story of resilience, courage, and the purest of feelings: a mother's love.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

Twins who have never seen each other find out they were torn apart at birth. A crime was behind the disappearance of one of them. A romance can keep them from being a family. A secret will bring them together again.

The Good Girls Club is a drama series that follows the capital's night, where sensuality and sex mix with politics, security, business and glamour, and which will accompany the story of 3 characters: the security guard, the owner and the new girl.

This is the story of a woman who fell in love and was betrayed. Her beloved was successful at the expense of a song that stole from her, while she was forced to fight for survival, far from her homeland. It is also the story of a girl forced to mature quickly, to raise her daughter, without knowing that, after all, it was not her daughter she was raising...

“Destino Maior” tells the story of Lúcia Cruz, a humble woman who believes she lost her daughter at birth, unaware that the baby was sold by her own stepmother to a wealthy family. Eleven years later, while struggling to support her sick sister and survive life's hardships, Lúcia crosses paths with Matilde, a girl in danger whom she ends up saving. This encounter leads her to Eduardo Ferreira do Vale, the child's adoptive father, who later hires her as his daughter's nanny—unaware that he is bringing mother and daughter face-to-face once again. As the bond between Lúcia, Matilde, and Eduardo deepens, a love story unfolds, shaped by secrets, guilt, and intertwined destinies.

Several stories of love and hope, united by invisible threads. There are those who call these threads magic, some who call them destiny. What matters is that they will lead all of our characters to the same outcome, on the same day: Christmas Eve

In the fallout of nuclear war, totalitarian regimes reshape world order. Ernesto is hiding a secret, and when a government inspector shows up at his doorstep, a cat-and-mouse game unfolds — one that can only end in tragedy.

Winter, Friday. A group of young university students leave for a weekend in São João da Cruz to celebrate their promotion to the prestigious Academic Life Association (AVA). The young people's fun turns to terror when, at night, on Praia da Cruz beach, a hazing ritual is taken to the extreme.

This fictional documentary traces a poetic cartography based on the journey of a theater group to São Miguel, Natália Correia's birthplace, and Lisbon, where she lived most of her life. It passes through Botequim, Assembleia da República, Hotel Britânia, Teatro Micaelense, Parque Terra Nostra, and so many other places once inhabited by Natália and now by these actors who help us to unearth the myths, ghosts, and pains born in the life and work of Natália — one of the most important figures in Portuguese culture, literature, and politics, before and after April 25.

The film tells the story of a sister and a brother, Inês and Rafael. Since the divorce of their parents, their family never saw Rafael again. Inês runs away from home looking for him when she is told he is back at the Guincho Beach and surfing again. Rafael is an ex-surf champion who everyday gets himself inside the most dangerous waves to test the limits of his life. When the two brothers meet, Guincho makes them come together in a promise of paradise on earth, as it was the last place where their family lived together and in happiness. But Inês is surprised one day when she finds her brother looking fixedly to the Serra de Sintra mountain range, where the Convent of the Capuchos, which once was his refuge, is. She fears having brought him back the memories of the separation of their parents. Rafael is in a crisis of faith. When one day he disappears, Inês knows he went back to the convent, and she starts doing what she can to bring him back to her.

Amadeo: a mysteriously restless and indefatigable man as if always sensing brevity of the time he had left. An artist out of definition, whose painting questions the painting itself, indomitable, scandalous and misunderstood. For being «Infinitely» according Almada, is someone who never had the time within him. How many lives are there in Amadeo de Souza Cardoso’s brief life?