Milovan Filipović

The backbone of the "Državni Posao (Government Job)" are satirical talks between the three actors, the comments are reminiscent of the "stand-up" form. These are short, witty comments and observations on daily life, circumstances, sociopolitical situation, sports, entertainment world, their personal opinions on various topics. The main idea is to present day in a non-existent government company and three employees of thinking about daily events in it, but also about life and society in general. Topics drawn from the daily and weekly press, for various blogs, websites, talk about movies, series, shows - radio and television. The idea is that actors humorously comment on current events, to laugh viewers and encourage them to think about them.

Follow the master Hranislav who loves his service but also the bookmaker, his apprentice Mikica, their customers in a situation that is not so far from reality.

It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

A story that follows three generations of a rich Serbian Christian family in the 19th century in the north of the then Ottoman Empire in the city of Vranje, who are fighting for survival through various moral crises, facing decline. Forbidden love, intrigue, murder, arranged marriages, revenge, friendship and enmity between Serbs, Albanians and Turks and the endangered position of women at that time

The story of the film is set in the period from the 1940s until today in the Pannonian plain (the plain in the Central Europe), in an area of elusive boundaries, mysterious and unstable spiritual identity. The witness of the time is a Jewish boy Benya Cohn who, with his eye wide open, remembers the tragedy of his family, in the shadow of the Holocaust, concentration camps and new wars.

Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.