Margherita Girelli
Actor
Movies7
Movie7.9ComedyCrimeFerdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
Movie6.6RomanceComedyA middle-aged businessman meets a band of rowdy youths and is smitten by one, named Francesca.
Movie5.3ComedyMusicRocio is a young deliverer of a fashion house who walks the streets of Madrid delivering dresses to clients. Until one day, because a model does not arrive to a parade, there arises an opportunity to replace her to save the situation. Therefore Rocío becomes a model overnight. A new work that opens unsuspected horizons about relationships and friendships.
La chica del trébol
1963 · 16 votes
Movie3.7ComedyStudy of a man whose basic sense of inferiority leads him from worse to worse.
Il morbidone
1965 · 3 votes
Movie5.0HistoryAdventureThis film features a colossal clash between a mass of invaders and the faithful Roman soldiers who must fight to defend the Roman Empire.
Movie4.8ComedyAdolfo Cocchi has a building firm but his plan to build a set of buildings is been stopped by an old former Garibaldian, Don Leopoldo, who refuses to sell his property. A group of young people go to his house to play and sing. Marcella, Cocchi's daughter, who has a beautiful voice, goes to visit Leopoldo and falls in love with Paolo. They have an idea: open a night-club called "Io bacio... tu baci"...
Movie5.9ComedyParigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.