Harold Nicholas

A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

Stars celebrate Bob Hope's 50 years with NBC.

Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.

In the early 1960s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.

A star-studded tribute (from the creators of That's Entertainment) to the contributions of Afro-Americans in film over the last century. Vanessa Williams traces the struggles and triumphs of the superstars of music and film. Among the many artists featured are: Whitney Houston, Ella Fitzgerald, Sammy Davis Jr., Diana Ross, Michael Jackson, Cab Calloway, Bill "Bojangles" Robinson, Ella Fitzgerald, and Little Richard, Also included are today's contemporary superstars: Snoop Dogg, Ice T, Quincy Jones, Spike Lee, Russell Simmons, and many, more! 80 minutes plus DVD bonus features.

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

The story of the short film from the beginning of the movies in the 1890s, when all movies were shorts, through the 1950s when short subjects virtually disappeared from theaters.

The relationship between an aspiring dancer and a popular songstress provides a retrospective of the great African-American entertainers of the early 1900s.

Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.

Honest cop Tim Kerry struggles to keep his son Ritzy from becoming involved in a crime ring.

Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Usually cast as secret agent/private eye Lemmy Caution, Eddie Constantine plays "Eddie" in The Empire of Night. This time, Constantine is a cabaret singer at odds with a criminal gang. When the villains try to take over every nightclub in town for their own nefarious purposes, Eddie sings a new tune with his fists. The story takes several unexpected turns, but Constantine remains in charge throughout.

Louis Gossett Jr. takes viewers through a special documentary celebration of the groundbreaking achievements of African-American performers and their contributions to Hollywood filmmaking. Spectacular film clips, rare behind-the-scenes footage, archival photographs and fascinating interviews chronicle nearly a century of tribulation and triumph. Gazing at the outstanding range of African-American stars on today's movie screens, it is hard to imagine a time when there were no black leading men or women, a time when all of the roles available for people of color were considerably less heroic than they are now. Social progress came in small steps on the silver screen, film by film, for equal visibility and dignity on the silver screen; now it is possible to honor their struggles, their talent and their sacrifices.

A young husband becomes a game-show participant in the hopes of winning the cash to pay his pregnant wife's doctor.

When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.

The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.

Two-bit radio station owner Spud Miller doubles as the station's sole announcer. On the verge of bankruptcy, Spud is receptive to the wacky notions of George and Gracie, who've just invented a television device that can pick up and transmit any signal, any time, anywhere.

Standard tale of husband and wife living a party lifestyle. He works in a gambling hall and she occasionally models and sings. Because they want to start a family wife feels the need to change their situation. Situation is changed and husband gets a new job and then a promotion but is tricked into a bad business deal and wants to go back to his old life.

After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.

Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the band's tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture.

The original concept of the show was to allow the viewer to see the inner workings of a movie studio and featured interviews with MGM stars and explanations of how movies were made. Later, the format changed to show edited versions of MGM films.

The Hollywood Palace is an hour-long American television variety show that was broadcast weekly on ABC from January 4, 1964 to February 7, 1970. Originally titled The Saturday Night Hollywood Palace, it began as a mid-season replacement for The Jerry Lewis Show, another variety show which had lasted only three months. It was staged in Hollywood at the former Hollywood Playhouse on Vine Street, which was renamed The Hollywood Palace during the show's duration and is today known as Avalon Hollywood. A little-known starlet named Raquel Welch was cast during the first season as the "Billboard Girl", who placed the names of the acts on a placard.