Alceu Valença

A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

This work explores the culture and influences that shaped the creation and performance of the songs on Vivo!, the third album by Pernambuco-born singer-songwriter Alceu Valença, released in 1976. Through this album, it paints a portrait of the birth of Pernambuco’s psychedelic scene, ranging from its visual art and fantastical characters to the initial forays toward Rio de Janeiro and mainstream success. It is a journey back to the 1970s, viewed through the lens of today and the eyes of tomorrow.

Participants recall a series of festivals held on a farm in Brazil during the '70s and '80s that evolved into liberating celebrations of music.

Documentary of the legendary 1985 music festival in Brazil.

Musician Alceu Valença revisits his career, from his first contact with music, when he was still young, through the 1970s, when several names in music from the Northeast gained space on the scene.

Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.

Composer Gilberto Gil accompanies filmmaker Andrucha Waddington to the Northeast of Brazil. Among the rural communities in the region, Gil and Waddignton participate in the Catholic celebration of Saint John's Day with music and dance. Waddington also analyzes the suffering of the population trying to survive through agriculture in difficult terrain.

Being responsible for all stages of the production of an album, Deck contributed to the success of artists such as Pitty, Sorriso Maroto and Cachorro Grande. The film “Tudo Pela Música” tells the story of this business and family saga - João, his wife and son, Rafael Ramos, run the company - and offers a good overview of the Brazilian music market. Testimonials from record company executives, competitors, artists and the family itself make viewers immerse themselves in the history of the music industry in recent years and its transformations.

Casseta & Planeta is a Brazilian group of comedians who run a TV show named Casseta & Planeta Urgente, broadcast by Rede Globo. The humour featured on the show is mostly satirical, relating to religious or ethical groups, and minorities. The group founded a company called Toviassu Produções Artísticas, whose name is an acronym composed of syllables from the phrase "Todo viado é surdo" – "Every gay is deaf"; which is the ending of a widely known Brazilian practical joke. Each one of the seven members has a specific function within the company. They present their TV show at Rede Globo and publish a website and many books, among other products, for example the "Machobol". Originally a magazine named Casseta Popular and a humour newspaper called O Planeta Diário, the two teams joined forces and were hired by Rede Globo to become writers for the network's comedy shows, starting with TV Pirata in 1988. A few years later, they starred in their own show.

Based on the original format of "Tiny Desk Concerts" created by NPR.