Sulabha Deshpande

In the United States for the first time, an Indian housewife with a limited command of English turns Manhattan into her personal language school.

When a revengeful Krishna destroys his brother's motorbike, his mother asks him to return home only when he earns INR 500 to repair it. In a turn of events, he finds himself in a Bombay slum.

A young woman falls in love with a handsome playboy, while aboard a Singapore to India cruise. They make plans to meet again, but fate may have other plans...

A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.

Two siblings decide to share a pair of shoes till their father can afford to buy another. But things look bleak when their father is unable to find a job and is also suspected of criminal offences.

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

Framed for a crime he didn't commit, Mohan Kumar loses his wife, son and freedom, then he emerges from prison, vowing revenge.

The year is 1975, the place is Mahim, Bombay, and this is the story of Tikku, a eunuch, the only child of yesteryear Bollywood actress Nazneen Begum, who has fallen upon hard times, is virtually destitute and is dependent on Tikku, who does make-up/hair-dressing of Bollywood actresses. When she passes away, Tikku is beside himself with grief. After the funeral, he witnesses a woman leaving a child in a garbage bin.

This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.

In order to manipulate the wealth and estate of his brother, Kunver Pratap Singh, and his mother is killed by Thakur Vikram Singh leaving behind Kunver's daughter, Lavina and her governess Anita as witness. The duo does manages to escape only to find life threatened by Vikram goons where-by their rescuer, Lambu Dada turns out to be Vikram's hit-man secretly wanting to turn them over to him for a hefty sum.

An estranged couple accidentally meet in a railway station's waiting room and revisit their past.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

An Indian has no faith in the existence of God. His friend recounts numerous tales depicting the miracles of Sai Baba. Unconvinced, he visits Shirdi himself and begins his journey towards discovery and faith. The movie is focused on the story of Sai Baba - his birth, teachings, miracles and his physical death. For the first time, a film has been shot in Shirdi, the holy temple of Sai Baba.

In a world that both glamorizes and patronizes her, a successful film star begins to unravel under the weight of the roles imposed upon her, drifting between studios and her personal life as she spirals into an identity crisis.

Najma cannot marry Akhtar until he is financially stable. An elderly Shakir promises to help Akhtar set up his business in exchange for Najma finding a suitable bride for him

When the Raja of Jhansi dies, the British place harsh conditions before letting the Raja's son, Gangadhar, take over the throne. Jhansi's Rajguru plans ahead by getting a young girl, Manu, from a neighbouring kingdom to marry Gangadhar, despite their age difference. Manu is anointed the Rani of Jhansi and her name is changed to Laxmibai (Kashish). She soon gets pregnant but the newborn child dies a few months later. Bereft, Gangadhar's health begins to fail. With no hope of a natural heir to the kingdom, Gangadhar and Laxmibai adopt a young boy, Diwakar. When Gangadhar dies, Laxmibai attempts to have Diwakar anointed the Raja. However, the British object and soon declare war on Jhansi. How Laxmibai joins forces with Tatya Tope and fights the British to death iforms the rest of the film.

Arvind, a rich businessman's son, dates the office secretary but is engaged to marry someone else. With a complicated family background, he struggles to find meaning in his life.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

After completing his studies in London, England, Shakti Thakur returns home to India in a small town where his family resides.

Janki lives a poor lifestyle in a small village consisting of her dad, Bhervi Prasad and her mom. She meets and falls in love with her school-teacher, Ramcharan, and both want to get married. Ramcharan's brother is opposed to this marriage as Bhervi is unable to pay any dowry, nevertheless the marriage does take place, but the couple are turned out of Kalicharan's house, and instead go to live with Ramcharan's friend, Ashok Mishra.

The film revolves around a gangster named Mustafa (Patekar) who is a contract killer and can go any limit to please his superiors and offers 5 times Namaz. He was adopted by a powerful don Shanta Prasad (Rawal) when he was a child. He calls Shanta as Abba (an Urdu term for father). Abba taught him the crime tactics and made Mustafa his weapon for his illicit crimes. Mustafa's only aide is Sudama, his childhood best friend. Abba shares enmity with the Verma brothers Mahesh, Rohan and Bipin (Pradhan, Joshi and Bahl) which the trio wants to kill Abba. Meanwhile, a dancer Kavita (Tandon) who works in Verma's dance club.

In Dr. Gindes Hospital for the mentally insane is a patient named Inder, who is in a catatonic state, which occurred after a traumatic childhood incident. While Inder has shown signs of recovering, he has also started taking an interest in a young woman by the name of Meenakshi. But will Meenakshi be able to reciprocate the affections of an unstable and mentally ill admirer, if not, will this result in Inder return to his original state?

A woman, depressed that she is unable to bear children, abducts a child, and wants to keep him for her own. The child belongs to a large family consisting of 11 other children.

A young woman angers her wealthy father by falling in love with a television repairman.

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

Seven teenagers Ashutosh, Raja, Julie, Shiva, Ronnie, Sanjeev and Rahul who battle an evil force that takes the form of a clown called Woh that kidnaps children.