Lillian Tillegreen

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of 'idiots'. Their primary activity becomes going out into the world of 'normal' people and pretending to be mentally incompetent. They take advantage of this situation to create anarchy, and, by every possible means, to make those around them miserable.

Jacob and Finn run their low-budget private-eye business out of an auto salvage yard. Usually they are woefully incompetent, and on occasion they are inventive, like the time they find a boat captain's dentures. They're broke, so when Finn comes to the attention of a local hospital as having very healthy organs, Jacob is willing to help a corrupt doctor and his gold-digging nurse sell Finn's heart to a dying sheik in Switzerland. Finn rebels, so Jacob plots to substitute a pig's heart; then Finn gets attached to the pig and won't hear of its slaughter. As the sheik's health deteriorates and the doctor gets more desperate, Finn is in grave danger. Jacob has another plan.

Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.

The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.

Everything is normal with the Krumborg family – but when you know them, nothing can surprise you anymore. The two robbers Boris and Ivan want to kidnap Krumme. Krumme wants to learn to ride a horse. Mom wants a healthy Christmas. Dad doesn't want a healthy Christmas. And it's hardly surprising that Krumme's Christmas present for Yrsa ends up under Mrs. Olsen's bed, or that caretaker Svendsen tries to repair Mrs. Olsen's sink – even though it's not broken. And the youngest member of the family, Grunk, has eaten all the Christmas decorations. Yes, everything is completely normal in the Krumborg family...

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

In a future surveillance and treatment society where imaginative literature is censored, author Adam Gregor lives an unhappy life. During an argument with his wife, who is prone to conformity, he pushes her over the staircase landing and now believes he has killed her. However, society does not operate with the concept of guilt, and Adam cannot be convicted of murder, but is released after psychiatric treatment. He tries to get in touch with his young son, but encounters a friendly but determined power structure. At the same time, he is monitored by the authorities, who hope he will contact his oppositionist publisher.

The last part of the trilogy about the Vesterbro Root Per, which differs from "The Flight" (1973) and "Per" (1975) by being more comedy. Per has become socially adapted, he gets married and gets permanent work. In his rise live two originals, Kasper and his blind friend Holger, who are busy revealing housing fraud in the neighborhood.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

A comedy about the everydaylife of the 30-year-old something nurse Henriette and her life. Her boyfriend is boring and she has an affair with a violent doctor. She shares an apartment with a gay man and she is close with her brother who is a somewhat insecure and love-seeking guy. However, after some unfortunate clashes with the world, Henriette realizes she is able to stand on her own.

The television series was based on a play by Danish author Bjarne Reuter. In 1984 Reuter published his collection Tre skuespil ("Three Plays"); a collection containing also En dag i Hector Hansens liv ("A Day in the Life of Hector Hansen") and Kom der lys i neonrøret, gutter? ("Was There Light in the Neon Tube, Boys?") – in addition to Busters Verden.

Arntsen takes things and people around him too seriously, and has therefore been awarded a disability pension. And he is not exactly clairvoyant either. But that may come, and often with female help from, for example, Vaskemutter, for whom he does the laundry, or Mette, who has her own problems and accepts him as he is – even without clothes.

Thomas is newly divorced and is borrowing Bibi & Asger's apartment. He goes to the doctor because he is feeling unwell and is given some pills. At home, he gets drunk and is visited by his upstairs neighbor. At the same time, Thomas is being stalked by an unknown man on the phone. When Thomas meets Evy, he thinks they are going to have a nice evening, but she has other guests as well. After a night out on the town where Thomas gets drunk, he seeks out his divorced wife and begs her to come back.

In this wry comedy, the self-deceiving exploits of Lasse (Peter Hesse Overgaard), are shown, as he more or less innocently runs small cons on the people in his life, all the while sponging off of his girlfriend in a bohemian quarter of Copenhagen. He is a no-count, but fairly handsome young stud who imagines that he is some sort of art promoter, or is perhaps even a video artist himself.

Ersilla arrives almost lifeless when she seeks out the famous writer Ludovico Nota at his boarding house. It quickly becomes apparent that she has turned to prostitution in despair after her fiancé Franco cheated on her.

He freed the slaves in 1848. He spoke out against the king and the government. He loved his wives equally. He was colorful, he was autocratic, he was Denmark's last governor-general of the West Indies, his name was Peter von Scholten. The film about him is a magnificent story of greatness, power, and stubbornness on the one hand, and of love, loyalty, and melancholy on the other. It is a colorful gallery of characters that depicts the times, the Dane in a foreign land—and the black man in relief to the white.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.