Antonin Stahly-Vishwanadan

A French widower and WWI veteran returns home after the war to raise his newborn daughter.

Immersed in the jungle, among relics of a "forgotten future", two kids, Yaya and Lennie, meander. The two live freely in their Eden until armed men, who carry with them an "ancient" concept of civilization, force them to leave their territory. It is the beginning of a journey in search of their place in a world that no longer belongs to man.

Jealousy and hatred is what separates the Pandavas and Kauravas. The Kauravas fear the Pandavas are after the throne of their father. Yudhishthira of the Pandavas gets told by the deity, Krishna, that he will become king. A war is inevitable.

Peter Brook presents a new interpretation of the classic in a setting is vaguely eastern rather than Scandinavian, with a multi-ethnic cast .

Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have resurfaced. But all of Malik's problems seem to fade away when he falls for Bilal, the dreamy houseboy at his mother's bourgeois estate.

The Mahabharata is a 1989 film version of the Indian epic based on the history of India, Mahabharata directed by Peter Brook. Brook's original 1985 stage play was 9 hours long, and toured around the world for four years. In 1989, it was reduced to under 6 hours for television. Later it was also reduced to about 3 hours for theatrical and DVD release. The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière and Marie-Hélène Estienne. For the casting an international selection of actors was intentionally chosen, to show that the nature of the Indian epic is the story of all humanity.