In a farming village north of Tokyo, a man lives with his aging grandmother and works day after day at a cow shed that looks like a relic from another era. Their routine repeats in tune with nature, portrayed tranquilly and persistently in black and white without words.
In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
Marie-Lou Fontaine, director of a nursing home in the Paris suburbs, defies convention by adopting the 'Humanitude' method despite her team’s resistance. Her encounter with Mari Morisaki, a terminally ill Japanese playwright, transforms her life. Together, they turn the facility into a symbol of resistance and humanity against the system’s limits.
Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.