Vara s-a sfârsit

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

Shy sixteen-year-old Stacy Collins can't believe that the most popular guy in school, an attractive athlete named Bobby Tennison, is interested in her. At first she is flattered by his constant attention, but then he becomes possessive and jealous-telling her who she can speak to and what she can wear. Threats escalate into violence when Bobby thinks Stacy has stepped out of line. Soon she is walking on egg shells and living in fear. Having seen the tell-tale bruises, Stacy's best friend convinces her to break things off with Bobby-but in a moment of weakness, Stacy goes to meet him. It will be the last time she is seen alive.

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.