Ville-Marie

Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.

A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.

A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.

Will arrives for his last year at Military Academy, in the Deep South USA, in the 1960's. A black student, Pearce, has been accepted, for the first time and Will is asked to keep an eye out for the inevitable racism. The racists come in the form of The Ten, a secret group of the elite students. They want Pearce to leave on his own free will, but are prepared to torture him to make it 'his free will'. Will is forced to help Pearce and he is prepared to risk his own career to do so.

Conman Robert Freegard poses as an undercover MI5 agent and kidnaps countless victims amidst a high-stakes manhunt, until the woman who fell for him brings him to justice.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.